- 541
JONAS WOOD | Monkey Pot
估價
400,000 - 600,000 USD
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招標截止
描述
- 喬納斯・伍德
- Monkey Pot
- signed with the artist's initials, titled and dated 2015 on the reverse
- oil and acrylic on canvas
- 118 by 90 in. 299.7 by 228.6 cm.
來源
Gagosian Gallery, London
Acquired from the above by the present owner
Acquired from the above by the present owner
展覽
London, Gagosian Gallery, Jonas Wood, October - December 2015
Condition
This work is in excellent condition overall. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
“Jonas Wood reinterprets some of the traditional genres of painting, such as portraiture, still life and domestic scenes, but he expands them towards absolutely unusual directions. His work pursues an imaginary realism, a personal universe in which the most intimate can intersect with the most public, the personal with the collective.” Cecilia Alemani in Exh. Cat., New York, Anton Kern Gallery, Jonas Wood: Sports Book, p. 4