- 402
HENRY TAYLOR | Untitled (Girl on Green Couch)
估價
20,000 - 30,000 USD
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招標截止
描述
- Henry Taylor
- Untitled (Girl on Green Couch)
- signed and dated 2017 on the reverse
- acrylic on canvas
- 24 by 18 in. 61 by 45.7 cm.
來源
Courtesy the artist and Blum & Poe, Los Angeles, New York, Tokyo
Condition
This work is in very good condition overall. There is evidence of light wear and handling to the edges and corners of the canvas. The drips and surface inconsistencies are inherent to the artist's working method. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
"What type of painter is Henry Taylor? He is described by others with labels he mostly rejects—outsider, portraitist, protest painter, folk artist—or rejects as far as they are intended as mutually exclusive terms...It's his practice to seek people out—in the street, at the art fair, at his Momma's house—and figure them in paint, but each figure is configured differently, sometimes hewing closely to verisimilitude, sometimes ignoring it, sometimes attending to the proportion of limbs, other times leaving them out entirely. This variousness of approach finds its mirror in his life, which has also been a story of many different elements combined." Zadie Smith, Henry Taylor, New York 2018, p. 8