- 144
HANS HARTUNG | T-1973-H37
估價
50,000 - 70,000 GBP
招標截止
描述
- 漢斯·哈同
- T-1973-H37
- signed and dated 73; titled on the stretcher
- acrylic on canvas
- 45.4 by 64.7 cm. 17 7/8 by 25 1/2 in.
來源
Galerie Maeght, Paris
Acquired from the above by the present owner in 1973
Acquired from the above by the present owner in 1973
Condition
Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and more vibrant in the original. Condition : This work is in very good condition. Extremely close inspection reveals some very light and unobtrusive wear to all four corner tips. Further extremely close inspection reveals a few faint and unobtrusive watermarks in isolated places, which are likely to be original. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
“When I was a child, I was much influenced by lightening. At the age when most children are drawing stick figures, I filled whole notebooks, and a great many of them at that, with all the lightening flashes I had seen. Seen or not seen. From top to bottom, always lightening, lightening, lightening. Probably this is still present in my style of drawing, which very often has this zigzag aspect, of a line leaping across the page” Georges Charbonnier in conversation with Hans Hartung, in: Rene Julliard, Le Monologue du Peintre, Paris 1959, n.p..
This work is registered in the archives of the Fondation Hartung Bergman. It will be included in the forthcoming Catalogue Raisonné currently being prepared by the Fondation Hartung Bergman.
This work is registered in the archives of the Fondation Hartung Bergman. It will be included in the forthcoming Catalogue Raisonné currently being prepared by the Fondation Hartung Bergman.