拍品 237
  • 237

JANNIS KOUNELLIS | Untitled

估價
80,000 - 120,000 GBP
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描述

  • Jannis Kounellis
  • Untitled
  • steel, crucible, tar, gaz lamp and rope
  • 200 by 180 by 20 cm. 78 3/4 by 70 7/8 by 7 7/8 in.
  • Executed in 1990.

來源

Galerie Konrad Fischer, Dusseldorf
Collection Ackermanns, Kleve
Galerie Leu, Munich
Acquired from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate Condition: This work is in very good condition. There is an uneven surface patina to the work with some light handling marks and oxidation in places throughout. All surface irregularities, scuffs and scrapes are in keeping with the artist's working process and choice of media. Close inspection reveals some loosening to the central metal element, which remains stable.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

"I was designated as an 'artist' because no-one knew how to define a heap of coal. But I'm a painter, and I lay claim to my initiation in painting because painting is the construction of images, it doesn't indicate a manner, even less a technique... Jackson Pollock was a painter who reinvented the American space with morality. Mexican murals are paintings, Duchamp himself was a painter. Liberalism has given painting freedom as far as the imagination can go, and has re-endowed the artist with a fully intellectual role' (Jannnis Kounellis cited in: Exh. Cat., Vence, Château de Villeneuve / Fondation Emile Hugues, L'Élémentaire, le vital, l'énergie: Arte Povera in Castello, 2004, p. 57).

This work is well registered in the Archivio Kounelis.