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JEFF KOONS | Art Magazine Ads
估價
12,000 - 18,000 GBP
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招標截止
描述
- Jeff Koons
- Art Magazine Ads
- each: signed, dated '89 and numbered 26/50
- colour lithograph, in 4 parts
- each: 91.4 by 71.1 cm. 36 by 28 in.
- Executed in 1988-89, this work is number 26 from an edition of 50, plus 10 artist's proofs.
來源
Courtesy of Anthony d'Offay, London
展覽
Aarhus Kunstmuseum, Jeff Koons, November 1992 - April 1993, n.p., no. 48-51, illustrated in colour (ed. no. unknown)
London, Anthony d'Offay Gallery, Jeff Koons - A Survey 1981-1994, June - July 1994 (ed. no. unknown)
Hamburg, Hamburger Kunsthalle, Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, 1996, p. 53, illustrated in colour (ed. no. unknown)
Paris, Galerie Jérôme de Noirmont, Jeff Koons, September - November 1997 (ed. no. unknown)
Athens, DESTE Foundation Centre for Contemporary Art, Jeff Koons: A Millennium Celebration, December 1999 - May 2000, pp. 44-45, illustrated in colour (ed. no. unknown)
Bielefield, Kunsthalle Bielefield, Jeff Koons: Pictures 1980-2002, September - November 2002, pp. 54-57, illustrated in colour (ed. no. unknown)
Athens, DESTE Foundation Centre for Contemporary Art, Monument to Now, June - December 2004, pp. 141, 214 and 215, illustrated in colour (ed. no. unknown)
Oslo, The Astrup Fearnley Museum of Modern Art; and Helsinki, Helsinki City Art Museum, Jeff Koons Retrospektiv, September 2004 - April 2005, pp. 90-93, illustrated in colour (ed. no. unknown)
Chicago, Museum of Contemporary Art, Jeff Koons, May - September 2008, p. 68, illustrated in colour (ed. no. unknown)
Frankfurt, Schirn Kunsthalle, The Making of Art: the Art World and Its Players, May - August 2009, pp. 150, 153-54 and 157, illustrated in colour (ed. no. unknown)
London, Tate Modern; Hamburg, Hamburger Kunsthalle; and Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 2009 - September 2010, p. 39 (Art in America), and pp. 116-17 (all), illustrated in colour (ed. no. unknown)
London, Anthony d'Offay Gallery, Jeff Koons - A Survey 1981-1994, June - July 1994 (ed. no. unknown)
Hamburg, Hamburger Kunsthalle, Family Values: American Art in the Eighties and Nineties: the Scharpff Collection at the Hamburger Kunsthalle, 1996, p. 53, illustrated in colour (ed. no. unknown)
Paris, Galerie Jérôme de Noirmont, Jeff Koons, September - November 1997 (ed. no. unknown)
Athens, DESTE Foundation Centre for Contemporary Art, Jeff Koons: A Millennium Celebration, December 1999 - May 2000, pp. 44-45, illustrated in colour (ed. no. unknown)
Bielefield, Kunsthalle Bielefield, Jeff Koons: Pictures 1980-2002, September - November 2002, pp. 54-57, illustrated in colour (ed. no. unknown)
Athens, DESTE Foundation Centre for Contemporary Art, Monument to Now, June - December 2004, pp. 141, 214 and 215, illustrated in colour (ed. no. unknown)
Oslo, The Astrup Fearnley Museum of Modern Art; and Helsinki, Helsinki City Art Museum, Jeff Koons Retrospektiv, September 2004 - April 2005, pp. 90-93, illustrated in colour (ed. no. unknown)
Chicago, Museum of Contemporary Art, Jeff Koons, May - September 2008, p. 68, illustrated in colour (ed. no. unknown)
Frankfurt, Schirn Kunsthalle, The Making of Art: the Art World and Its Players, May - August 2009, pp. 150, 153-54 and 157, illustrated in colour (ed. no. unknown)
London, Tate Modern; Hamburg, Hamburger Kunsthalle; and Ottawa, The National Gallery of Canada, POP Life: Art in a Material World, October 2009 - September 2010, p. 39 (Art in America), and pp. 116-17 (all), illustrated in colour (ed. no. unknown)
出版
Munich, Kunstverein Munchen e.V., Das konstruierte Bild, 1989, pp. 51-53 and 151-52, illustrated (ed. no. unknown)
Glenn O'Brien, 'Koons Ad Nauseam', Parkett, Zurich, 1989, p. 64, no. 19, illustrated
Exh. Cat., Tokyo, Makuhari Messe, Pharmakon '90, 1990, n.p., illustrated (ed. no. unknown)
Andrew Renton, 'Jeff Koons and The Art of Deal', Performance, No. 61, September 1990, pp. 18-19 (detail) and 20-29, illustrated (ed. no. unknown)
Angelika Muthesius, Ed., Jeff Koons, Cologne 1992, pp. 82-102, no. 1-4, illustrated in colour (ed. no. unknown)
lbig Jorg-Uwe, 'Jeff Koons, ein Prophet der inneren Leere', Art, December 1992, p. 58, illustrated (ed. no. unknown)
Robert Rosenblum, The Jeff Koons Handbook, London 1992, pp. 90, 93-95, illustrated in colour (ed. no. unknown)
Exh. Cat., Hollywood, Pasadena Art Alliance, Hollywood: Identity under the Guise of Celebrity, 1992 p. 45, illustrated (ed. no. unknown)
Exh. Cat., San Francisco Museum of Modern Art (and travelling), Jeff Koons, December 1992 - October 1993, p. 28, no. 14, illustrated in colour (ed. no. unknown)
Exh. Cat., Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Zeitspruenge, 1993, pp. 52-55, illustrated (ed. no. unknown)
Eduardo Cicelyn, Mario Codognato and Elena Geuna, Jeff Koons, Naples 2003, pp. 73-77, illustrated in colour (ed. no. unknown)
Exh. Cat., Naples, Museo Archeologico Nazionale, Jeff Koons, June - September 2003, pp. 73-77, illustrated in colour (ed. no. unknown)
Kelly Devine Thomas, 'The Selling of Jeff Koons', ArtNews 104, May 2005, p. 119, no. 5, illustrated in colour (ed. no. unknown)
Gunnar B. Kvaran, Jeff Koons: Retrospettivamente, Milan 2007, p. 66, illustrated (ed. no. unknown)
Hans Werner Holzwarth, Ed., Jeff Koons, Cologne 2008, pp. 255-59, illustrated in colour (ed. no. unknown)
Exh. Cat., Berlin, Neue Nationalgalerie, Jeff Koons - Celebration, October 2008 - February 2009, pp. 40-41, 102-03, illustrated in colour (ed. no. unknown)
Jonathan Shaughnessy, 'Sex Sells: Art Publicity and Pop Life', Vernissage: The Magazine of the National Gallery of Canada, Spring 2010, p. 19, illustrated in colour (ed. no. unknown)
Glenn O'Brien, 'Koons Ad Nauseam', Parkett, Zurich, 1989, p. 64, no. 19, illustrated
Exh. Cat., Tokyo, Makuhari Messe, Pharmakon '90, 1990, n.p., illustrated (ed. no. unknown)
Andrew Renton, 'Jeff Koons and The Art of Deal', Performance, No. 61, September 1990, pp. 18-19 (detail) and 20-29, illustrated (ed. no. unknown)
Angelika Muthesius, Ed., Jeff Koons, Cologne 1992, pp. 82-102, no. 1-4, illustrated in colour (ed. no. unknown)
lbig Jorg-Uwe, 'Jeff Koons, ein Prophet der inneren Leere', Art, December 1992, p. 58, illustrated (ed. no. unknown)
Robert Rosenblum, The Jeff Koons Handbook, London 1992, pp. 90, 93-95, illustrated in colour (ed. no. unknown)
Exh. Cat., Hollywood, Pasadena Art Alliance, Hollywood: Identity under the Guise of Celebrity, 1992 p. 45, illustrated (ed. no. unknown)
Exh. Cat., San Francisco Museum of Modern Art (and travelling), Jeff Koons, December 1992 - October 1993, p. 28, no. 14, illustrated in colour (ed. no. unknown)
Exh. Cat., Ludwigshafen am Rhein, Wilhelm-Hack-Museum, Zeitspruenge, 1993, pp. 52-55, illustrated (ed. no. unknown)
Eduardo Cicelyn, Mario Codognato and Elena Geuna, Jeff Koons, Naples 2003, pp. 73-77, illustrated in colour (ed. no. unknown)
Exh. Cat., Naples, Museo Archeologico Nazionale, Jeff Koons, June - September 2003, pp. 73-77, illustrated in colour (ed. no. unknown)
Kelly Devine Thomas, 'The Selling of Jeff Koons', ArtNews 104, May 2005, p. 119, no. 5, illustrated in colour (ed. no. unknown)
Gunnar B. Kvaran, Jeff Koons: Retrospettivamente, Milan 2007, p. 66, illustrated (ed. no. unknown)
Hans Werner Holzwarth, Ed., Jeff Koons, Cologne 2008, pp. 255-59, illustrated in colour (ed. no. unknown)
Exh. Cat., Berlin, Neue Nationalgalerie, Jeff Koons - Celebration, October 2008 - February 2009, pp. 40-41, 102-03, illustrated in colour (ed. no. unknown)
Jonathan Shaughnessy, 'Sex Sells: Art Publicity and Pop Life', Vernissage: The Magazine of the National Gallery of Canada, Spring 2010, p. 19, illustrated in colour (ed. no. unknown)
Condition
Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is slightly warmer with more magenta undertones in the original. Condition: This work is in very good condition. The sheets are hinged to the backing boards in numerous places.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."