CARLO FORNARA | Cows on a path

Mr. Paulis and the grandfather of the current owners were in contact as shown by a correspondence between them in 1943.

The panel is mostly even and stable, apart from a small vertical c. 2.5cm crack below centre (just visible in the catalogue illustration). Ultra-violet light reveals minor signs of retouching, primarily scattered small spots in the sky. This work is in good overall condition, and the artist's impasto well preserved. The colours are fresher in reality than in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In 1891, Carlo Fornara discovers for the first time Divisionism.  However, after a sojourn in Lyons, France, he adopts the more spontaneous neo-impressionist technique, as shows his picture En plein air, refused at the 1897 Triennale of Milan, for the audacity of its colours! An important step in his career is his encounter with Giovanni Segantini and Vittore Grubicy de Dragon, both famous Divisionist artists whose influence lead him to adopt the divisionist technique. He regularly shows his works in important international exhibitions. Later, he adopts a more personal style and retires in Val Vigezzo in 1922.