拍品 233
  • 233

ISTVAN SANDORFI | Autoportrait au ballon bleu

估價
6,000 - 8,000 EUR
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招標截止

描述

  • Istvan Sandorfi
  •  Autoportrait au ballon bleu
  • oil on canvas
  • 200 x 150 cm ; 78  3/4  x 59 in.

來源

Acquired from the artist by the present owners

出版

Pierre Nahon, L'Histoire de la Galerie Beaubourg II, 1988-1994, Paris, 2009, p.240, illustrated in colour

Condition

There is 10x25 cm humidity stain towards the upper edge. There is a dent in in the right border towards the upper edge and in the lower left corner, as well as at the bottom towards the edge. There are handling marks along the edges visible under close inspection. There are a couple of small foxing spots in the upper right quadrant towards the right edge. There is a faint rub mark located in the upper right corner and in the middle towards the lower edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

I had seen the paintings of a young artist, Etienne Sandorfi, at the Musée d’Art Moderne de la Ville de Paris in 1973. We exhibited him two years later, in November 1975.
If only for the incredible photographic precision of his works, this young Hungarian could be called a hyperrealist. But his trompe-l’oeil are tricks: his lacerated faces hide subterfuge and pretense. Sandorfi is a master of fantastic illusionism.
We exhibited him only once. I don’t know, I cannot know if his painting would have survived on the forefront at this time of avant-garde. It was classical painting. Extraordinary, but classical. And our time was not about classicism.  Pierre Nahon