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SUDHIR PATWARDHAN | Cyclist
估價
2,000,000 - 3,000,000 INR
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招標截止
描述
- Sudhir Patwardhan
- Cyclist
- Signed, dated, titled and inscribed 'Sudhir Patwardhan / 'CYCLIST' 2005 / acrylic' on reverse
- Acrylic on canvas
- 91.4 x 121.9 cm. (36 x 48 in.)
- Painted in 2005
展覽
New York, Bose Pacia, Gieve Patel and Sudhir Patwardhan, 19 January - 4 March 2006 This painting has been requested for the upcoming exhibition Walking Through Soul City, Sudhir Patwardhan, A Retrospective, curated by Nancy Adajania at The National Gallery of Modern Art, Mumbai in collaboration with The Guild, 29 November 2019 - 12 February 2020.
出版
R. Hoskote et al, Gieve Patel and Sudhir Patwardhan, Bose Pacia, New York, 2006, illustration p. 46
Condition
Small fly spots are visible upon very close inspection. A very minute loss to the paint surface is visible next to the figure's head. Several scattered irregularities and accretions to the paint surface are also noted but these are likely inherent. The work is in very good overall condition, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Through his socially-engaged artworks, Sudhir Patwardhan explores the alienation, degradation and poverty of India’s working classes. He completed a medical degree at the Armed Forces Medical College in Pune in 1972, and has since worked both as a radiologist and self-taught artist in Thane. For Patwardhan, the aim of an artist is to be the spokesman of the oppressed. His artistic output is inseparable from his Marxist sympathies for the marginalised underclasses, and he drew inspiration from the abandoned textile mills of Bombay and the exodus of migrant workers to the suburbs. In the present work, a man is shown riding a bicycle in a sparse landscape. His furrowed expression, strained neck and hunched shoulders evidence both a physical and mental struggle. Despite his suffering, the isolated cyclist remains resilient; in accordance with Patwardhan’s desire to paint everyday heroism, the figure is dignified in his labour. In this painting, the artist fulfils his motivation to represent the human condition without losing the individuality of the character represented.
Ranjit Hoskote, in discussing the two professions of Patwardhan, notes their common goal: to understand humanity. ‘… there is no real contradiction between the two roles: Patwardhan the painter operates with the same penetrating vision as Patwardhan the radiologist, divining the inner events of an individual life from the physique that is presented before him, reading the symptoms of an unease that burns beneath the skin and remains occult even to the owner of that skin.’ (R. Hoskote, Sudhir Patwardhan: The Complicit Observer, Eminence Designs Pvt. Ltd, Mumbai, and Sakshi Gallery, Mumbai, 2004, p. 7)
Ranjit Hoskote, in discussing the two professions of Patwardhan, notes their common goal: to understand humanity. ‘… there is no real contradiction between the two roles: Patwardhan the painter operates with the same penetrating vision as Patwardhan the radiologist, divining the inner events of an individual life from the physique that is presented before him, reading the symptoms of an unease that burns beneath the skin and remains occult even to the owner of that skin.’ (R. Hoskote, Sudhir Patwardhan: The Complicit Observer, Eminence Designs Pvt. Ltd, Mumbai, and Sakshi Gallery, Mumbai, 2004, p. 7)