拍品 16
  • 16

A LARGE ILLUMINATED QUR’AN IN TWO VOLUMES, EGYPT OR YEMEN, MAMLUK OR RASULID, 15TH CENTURY |

估價
40,000 - 60,000 GBP
招標截止

描述

  • leaf: 27.6 by 18.5cm.
Arabic manuscript on pink and cream papers, two volumes, 202 and 197 leaves each, 13 lines to the page, written in neat naskh in black ink, diacritics in red, ruled in gold, red and blue, verses separated by triple inverted comma-like markers in blue, surah headings in large blue thuluth, margins with extensive commentaries in red and blue and occasional purple and green, f.13b and 14a with illuminated double page, in later brown Mamluk-style binding

Condition

In overall good condition, the margins have been cropped and the manuscript has been rebound in two later Mamluk-style bindings. Minor stains and smudges throughout, occasional restoration to the paper, with occasional tape residuals, the illuminated double page restored with minor smudges, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This Qur’an is particularly interesting for its possible attribution to Rasulid Yemen. Although it features some standard Mamluk characteristics, some stylistic and chromatic choices are directly connected with manuscript produced in Rasulid Yemen during the first half of the fifteenth century, as well some copied in Sultanate India, a region which was strongly linked with Yemen at the time. The illumination and subdivision of the opening page follows the standard opening of Mamluk Qur’ans, with the first surah encircled above and below by a Kufic illumination within cartouches, the text against clouds and an etched red ground, the outer frames in gold and decorated with geometrical interlacing patterns. While the text is written in black, the diacritics are in red, another feature found in Mamluk Qur’ans (see for a comparable the Qur'an produced for Sultan Baybars between 1304 and 1306, now in British Library, London, Inv.No. Add 22406). The colour blue and red are largely used in the marginal commentaries which span diagonally in the borders (for a similar Qur'an see Sotheby’s London, 19 October 2016, lot 103).

Although the elements listed above point towards a Mamluk attribution, other aspects of this Qur’an are quite unusual and suggest the hypothesis that this manuscript was produced in a region which was exposed to other styles and traditions: Rasulid Yemen.

The first distinctive feature linking this manuscript to Yemen is the use of a distinctive verse marker. The verses are separated by triple inverted comma-like devices in blue. Some sections that appeared recently on the market and attributed to the Rasulid period, had the same distinctive verse markers (see Sotheby’s London, 25 October 2017 lot 20 and 21 and Christie’s London 27 April 2017, lot 28).

The second unusual feature of this Qur’an is the ruling which delineates the text. Most of the Qur’ans produced in the Mamluk period are not ruled (out of the thirty-eight listed in James 1988, only twelve have ruling. The ruling of the present text is a sequence of gold, black, red and blue, a combination of colour seen also in Bihari Qur’ans produced in India (see for example Sotheby’s London, 6 October 2010, lot 16; 8 October 2008, lot 21 and 1 April 2009, lot 13, where in each case the text is framed in gold, red and blue). This choice of colour for the frame of the text is definitely out of the ordinary.

Although the use of these colours is not unusual for Mamluk manuscripts, as we have previously discussed, the combination of ruling, surah headings in blue and marginal notes, somehow recalls the contemporary Bihari Qur’ans copied in India.

The last remarkable aspect of the manuscript's decoration is the use of purple and green buds framing the illumination of surah I and the beginning of surah II. While the central decoration of the frontispiece is quite common and seen in several Mamluk examples, the outer sequence of green and purple buds/leaves is quite unusual. This pattern is very similar to that which decorates the illumination of a Sultanate Qur’an published in Brac de la Perriere 2008 (pl.40), both a sequence of trilobed buds flanked on each side by rounded leaves alternating in colour.

As Sheila Blair notes, “Koran manuscripts in Bihari script had a wide currency and were exported from India to South Arabia” (Blair 2006, p.388-9) and the discovery of some leaves in Bihari in a mosque in Dawran, northern Yemen, is testament of the strong link between these two regions.

It is very likely that the scribe and illuminator of this Qur’an, whilst copying the text in the traditional Mamluk style, took some innovative elements from Qur’ans that reached the South Arabian shores from India, making this text an interesting example of the hybrid cultural scene of South Arabia in the fifteenth century.