- 173
GERMAINE RICHIER | Le Sablier I
估價
15,000 - 20,000 EUR
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招標截止
描述
- Germaine Richier
- Le Sablier I
- signed, numbered HC2 and incised L.Thinot Fondeur Paris
- bronze
- 20,5 x 17 x 17 cm ; 8 x 6 11/16 x 6 11/16 in.
- Conceived in 1946, this work comes from an edition of 12 (1/8 to 8/8 and HC1, HC2, HC3, EA) and was cast after 1959.
來源
展覽
Venice, XXVI Biennale internazionale d'arte, 1952 (other example)
Paris, Musée d'art national d'Art moderne, Germaine Richier, 10 october - 9 December 1956 (other example)
Antibes, Musée Picasso, Germaine Richier, 17 July - 30 September 1959 (other example)
Zurich, Kunsthaus, Germaine Richier, 12 June - 21 July 1963 (other example)
Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier, Rétrospective, 5 April - 25 June 1996 ; catalogue, p. 61, no. 26, illustrated
Paris, Musée d'art national d'Art moderne, Germaine Richier, 10 october - 9 December 1956 (other example)
Antibes, Musée Picasso, Germaine Richier, 17 July - 30 September 1959 (other example)
Zurich, Kunsthaus, Germaine Richier, 12 June - 21 July 1963 (other example)
Saint-Paul-de-Vence, Fondation Maeght, Germaine Richier, Rétrospective, 5 April - 25 June 1996 ; catalogue, p. 61, no. 26, illustrated
出版
René de Solier, Germaine Richier, Paris, 1953, pp.123-129, no. 28 (other example)
André Chastel, Au musée d'Art moderne: "Germaine Richier : la puissance et le malaise", Le Monde, Paris, 1956 (other example)
Denys Chevalier, Sculpture encore: "Dans son atelier, vaste forêt de plâtres et de bronzes, Germaine Richier, chef d'école, sculpte les grands mythes sylvestres", Paris, 1956, p.81-83 (other example)
Georges Limbour, La vie des arts: Le pouce de Germaine Richier, France Observateur, Paris, 1956 (other example)
André Chastel, Au musée d'Art moderne: "Germaine Richier : la puissance et le malaise", Le Monde, Paris, 1956 (other example)
Denys Chevalier, Sculpture encore: "Dans son atelier, vaste forêt de plâtres et de bronzes, Germaine Richier, chef d'école, sculpte les grands mythes sylvestres", Paris, 1956, p.81-83 (other example)
Georges Limbour, La vie des arts: Le pouce de Germaine Richier, France Observateur, Paris, 1956 (other example)
Condition
The printed catalogue illustration is fairly accurate. Oxidation stains are visible on one of the bronze wires. The work is slightly dirty. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."