SIR EDWARD COLEY BURNE-JONES, BT., A.R.A., R.W.S. | Study for The Valiant Knight

By descent to the artist's daughter, Margaret Mackail, by whom sold Christie's, London, 3 December 1954, lot 28 to 'Wilson';
Gallery 1020, New York where purchased by Seymour Stein

This drawing is flat with no signs of cockling. There are a few very minor spots of foxing to the central angel but this is only visible upon close inspection. There is a long tear through the paper sheet from the centre of the lower edge up to approximately 12 inches from the top right corner. The effect of this tear could be lessened by a paper restorer. FRAME The drawing is contained in a simple wooden and gilt frame and under glass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This large drawing appears to be an early design for one of the famous Holy Grail Tapestries designed for Stanmore Hall in Middlesex, commissioned in 1888 and made in the early 1890s. The format of this drawing is entirely contrary to the finished tapestry which depicts the knights kneeling at the Chapel of the Holy Ghost rather than on horseback. The change in orientation of the composition seems to have been made to allow the composition to occupy the entire back wall of the dining room. ‘And of the hundred and fifty that went to the Quest, three only are chosen and may set foot on that shore, Bors, Percival, and Galahad. Of these Bors and Percival may see the Grail afar off – three big angels bar their way, and one holds the spear that bleeds; that is the spear that entered Christ’s side, and it bleeds always. And then comes Galahad who alone may see it – and to see it is death, for it is seeing the face of God.’ Georgiana Burne-Jones, Memorials, Vol II, p.209