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拍品詳情

維多利亞時期、拉斐爾前派與英國印象派藝術

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倫敦

Sidney Harold Meteyard
1868 - 1947
TRISTRAM AND YSEULT

 
watercolour with bodycolour and tempera
 
53 by 61cm., 21 by 24in.
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來源

Roy Miles, London; Christie’s, London, 22 February 1977, lot 144 as Knight Kneeling before a Princess, where purchased by Seymour Stein

展覽

London, Royal Academy, 1907, no.993

相關資料

Little is known about Meteyard’s life but he left a wonderful legacy of his paintings, designs for stained glass and murals, enamel work and book illustrations. It is thought that Meteyard may have encountered Burne-Jones whilst teaching at the Birmingham School of Art. Certainly the influence of Burne-Jones was strong in both Meteyard’s choice of subjects and his technique, with its beautiful attention to decorative details of design.

Tristram and Yseult takes its narrative from the Morte d’Arthur, like several pictures by Meteyard, including the similar Merlin and Vivian of 1908 (private collection) and his most famous work “I’m Half Sick of Shadows” Said the Lady of Shalot of 1913 (private collection) recently shown in the exhibition at the National Gallery in London 'Van Eyck and the Pre-Raphaelites'. In the latter painting, like Tristram and Yseult, a circular mirror is prominent.

The love of Tristram (Tristan) and Queen Yseult (Iseult, Ysolde) was a popular subject for Pre-Raphaelite artists, painted by both Rossetti and by Burne-Jones. It had a lasting popularity for romantically-inclined artists and was the subject of a painting of 1901 by Herbert Draper (destroyed, formerly at the Walker Art Gallery) and another by John William Waterhouse of 1913 (private collection).

維多利亞時期、拉斐爾前派與英國印象派藝術

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倫敦