拍品 25
  • 25

SIMEON SOLOMON | Dante

估價
6,000 - 8,000 GBP
招標截止

描述

  • Simeon Solomon
  • Dante
  • signed with monogram and dated 1903 l.l. and inscribed l.r. in a cartouche; DANTE ALIGHIERI/DIVINO POETA/FIRENZE RAVENNA
  • pencil with black chalk
  • 51 by 33cm., 20 by 13¼in.

來源

Christie's, London, 1 December 1989, lot 1088, where purchased by Seymour Stein

Condition

This drawing is in very good original condition. The paper is flat and there are no signs of staining or foxing and no visible tears or creases. FRAME The drawing is contained in a simple black-painted frame with a gilt inset and under glass.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This drawing is very similar to Solomon's portrait of the artist Giotto di Bondone (Christie's, London, 11 July 2017, lot 38) which is likewise inscribed with the cities to which he was most associated. Dante was particularly associated with Rossetti's circle of friends and although their close friendship had been severed by Solomon's retraction from society, the influence of Rossetti's subject-matter and style on Solomon's work was long-lasting. This drawing has a particularly melancholic intensity with the poet shown deep in brooding contemplation. The likeness of the poet seems to have been based upon Sandro Botticelli's portrait of 1495 in which he wears the same cowl garlanded with olive leaves and a high-necked coat.