拍品 212
  • 212

DANIELL, ORIENTAL SCENERY, 1816 [BUT WATERMARKS 1838-1849]

估價
3,000 - 5,000 GBP
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描述

  • Oriental Scenery. One hundred and fifty views of the architecture, antiquities and landscape scenery of Hindoostan. Drawn and engraved by Thomas and William Daniell. London: [G.Norman, Covent Garden for] the Authors, 1816 [but watermarks 1838-1849]
6 parts bound in 3 volumes, folio (367 x 286mm.), general printed title in volume 1 only, 6 aquatint hand-coloured vignette titles, 144 hand-coloured aquatint plates on thick card, some numbered, without the 8 plans as usual, 40 pages of captions, all leaves on guards, contemporary green morocco by J. Wright, gilt, raised bands, occasional spotting and repairs, slightly rubbed

來源

Sackett & Edmonds, Birmingham, booksellers label

出版

cf. Abbey, Travel 432

Condition

Condition is described in the main body of the catalogue, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Beautifully hand-coloured as issued, and published with the general title quoted above. The text is signed on page 40 by the printer George Norman, who worked on Maiden Lane 1824-1871.  "[Thomas] Daniell, assisted by his nephew [William], produced his best-known work Oriental Scenery (issued in six series) of Indian views making a total of 144 hand-coloured aquatint views of India. These represent Mughal and Dravidian monuments, cityscapes and sublime views of mountains and waterfalls and formed the most extensive work of its kind, finding subscribers throughout Britain as well as in Calcutta and Madras" (DNB).