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A FLEMISH GENRE TAPESTRY, BRUSSELS, FROM SERIES `SCENES OF COUNTRY LIFE', AFTER JACOB JORDAENS, BETWEEN 1629 AND 1650 |
估價
3,500 - 4,500 GBP
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招標截止
描述
- approximately 395cm. high, 258cm. wide; 13ft., 8ft. 5in.
depicting scene of `Lady and Gentleman in an Arbour', alluding to the loves of Mars and Venus within a garden of love, woven with a young couple, offered wine by a young male attendant in the presence of an elderly lady standing behind
來源
Sotheby's, London, Noblesse Oblige, 14 April 2011, lot 463, from the Property of a German Count
Condition
Overall measurements: 395cm. high at each side. 403cm. high in centre. 250cm. wide across the top, 258cm. wide across the bottom; Partially lined, up sides and across the top. With additional narrow vertical strips at intervals across the width of tapestry from top to bottom. Recommend Velcro attached across top for hanging in the future. Faded overall. Overall colour palette is terracotta tones. With repairs to light areas in particular.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
'Scenes of Country Life', is a tapestry series of eight panels, woven from designs by Jacob Jordaens (1593-1678). Cartoons no longer exist, though some water colour drawings have survived, along with compositions of the subject in oil on canvas. For discussion of this series, and a comparable weaving of this subject (381 by 263cm) , which is from a complete set in the Kunsthistorisches Museum, Vienna, see Kristi Nelson, Jacob Jordaens, Design for Tapestry, Brepols, 1998, Part II- Catalogue, Nos. 16-25, Scenes of Country Life, pp.85-100, No.20, pl. 47, pg.270.
The earliest complete series of eight pieces is considered to be those at Hardwick Hall, Derbyshire, woven by, and with the marks of, Jacob II Geubels. Other Brussels workshops wove editions of the series, including Hendrik I Reydams (f.1629-1669), and Conrad van der Bruggen (f.1622 - ). Five panels from a set purchased in Brussels by General Octavio Piccolomini in 1629 survive in Nàchod Castle, Czech Republic, which was converted into the Baroque style by the General. See Guy Delmarcel, Flemish Tapestries, London, 1999, No.9, Scenes of Country Life, pp.290-294, for discussion of the series and illustrations of the Vienna set, and two water colour `modello' from the series, the Victoria and Albert Museum London, and the Staatliche Museen, Berlin.
The earliest complete series of eight pieces is considered to be those at Hardwick Hall, Derbyshire, woven by, and with the marks of, Jacob II Geubels. Other Brussels workshops wove editions of the series, including Hendrik I Reydams (f.1629-1669), and Conrad van der Bruggen (f.1622 - ). Five panels from a set purchased in Brussels by General Octavio Piccolomini in 1629 survive in Nàchod Castle, Czech Republic, which was converted into the Baroque style by the General. See Guy Delmarcel, Flemish Tapestries, London, 1999, No.9, Scenes of Country Life, pp.290-294, for discussion of the series and illustrations of the Vienna set, and two water colour `modello' from the series, the Victoria and Albert Museum London, and the Staatliche Museen, Berlin.