123
123
Italian, Rome, late 18th/ early 19th century
After the Antique
PAIR OF FURIETTI CENTAURS
前往
123
Italian, Rome, late 18th/ early 19th century
After the Antique
PAIR OF FURIETTI CENTAURS
前往

拍品詳情

古典雕塑及工藝品

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倫敦

Italian, Rome, late 18th/ early 19th century
After the Antique
PAIR OF FURIETTI CENTAURS
bronze, on veined yellow marble bases
bronzes: 34 by 25cm., 13 3/8  by 9 7/8 in. and 29.5 by 22cm., 11 5/8  by 8 5/8 in.
bases: 4.5 by 22cm., 1¾ by 8 5/8 in. each
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相關資料

The present bronzes are reductions of the monumental grey-black marble centaurs which were excavated together at Hadrian's Villa in December 1736. They owe their name to Monsignor Giuseppe Alessandro Furietti, in charge of the excavations at Tivoli. The centaurs were extensively restored, and have been recorded in their present condition as early as 1738-39. Forming the pièces de resistance of Furietti's collection, he refused to sell them, even when pressured by the then Pope Benedict XIV. It is said that the Pope was so enraged by this slight, that he refused to promote Furietti to the rank of Cardinal. However, after Furietti's death, Pope Clement XIII did secure them for the Capitoline Museum, where they remain to this day. Bronze reductions of the famous centaurs were very much in vogue amongst the Grand Tour travellers of the 18th century, and both Righetti and Zoffoli cast reductions. 

RELATED LITERATURE
F. Haskell and N. Penny, Taste and the Antique, The Lure of Classical Sculpture, 1500-1900, London, 1982, pp. 176-9

古典雕塑及工藝品

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倫敦