拍品 8
  • 8

VINCENZO TAMAGNI, CALLED VINCENZO DA SAN GEMIGNANO | A young boy kneeling in front of two bishops, several noblemen and clerics, a building under construction behind

估價
5,000 - 7,000 USD
招標截止

描述

  • Vincenzo Tamagni, called Vincenzo da San Gemignano
  • A young boy kneeling in front of two bishops, several noblemen and clerics, a building under construction behind
  • Pen and brown ink and wash over traces of black chalk
  • 198 by 304 mm; 7 3/4  by 12 in

來源

Prosper Flury-Hérard (1804-1873), Paris (L.1015, with his numbering on the backing sheet: 136)

Condition

Laid down. Some mold of a grey color at the top of the sheet and less at the bottom, where it seems more visible towards the right corner. There are small losses around the right margin and in the top section of the sheet, where there are also abrasions. Some grey stains towards the left corner. The pen and ink still strong.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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拍品資料及來源

Vincenzo Tamagni began his career as an assistant of Sodoma, with whom he worked in the monastery of Monte Oliveto Maggiore, near Siena, before moving to Rome to enter Raphael's workshop in around 1512.  His graphic oeuvre consists mainly of pen and ink composition drawings, which are characterized by repeated, long horizontal hatchings and strongly defined chiaroscuro effects.  In the present drawing, the areas of contrasting light and shadow are also emphasized by the abundant application of brown wash, which unifies the composition. Linda Wolk-Simon has given an account of the artist's known drawings, in the catalogue to the exhibition, Sixteenth-Century Italian drawings in New York Collections, held at the Metropolitan Museum of Art, New York, in 1994 (p. 109, note 4).