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Vincenzo Tamagni, called Vincenzo da San Gemignano
A YOUNG BOY KNEELING IN FRONT OF TWO BISHOPS, SEVERAL NOBLEMEN AND CLERICS, A BUILDING UNDER CONSTRUCTION BEHIND
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8
Vincenzo Tamagni, called Vincenzo da San Gemignano
A YOUNG BOY KNEELING IN FRONT OF TWO BISHOPS, SEVERAL NOBLEMEN AND CLERICS, A BUILDING UNDER CONSTRUCTION BEHIND
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拍品詳情

西洋古典素描

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Vincenzo Tamagni, called Vincenzo da San Gemignano
SAN GEMIGNANO 1492 - CIRCA 1530
A YOUNG BOY KNEELING IN FRONT OF TWO BISHOPS, SEVERAL NOBLEMEN AND CLERICS, A BUILDING UNDER CONSTRUCTION BEHIND
Pen and brown ink and wash over traces of black chalk
198 by 304 mm; 7 3/4  by 12 in
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來源

Prosper Flury-Hérard (1804-1873), Paris (L.1015, with his numbering on the backing sheet: 136)

相關資料

Vincenzo Tamagni began his career as an assistant of Sodoma, with whom he worked in the monastery of Monte Oliveto Maggiore, near Siena, before moving to Rome to enter Raphael's workshop in around 1512.  His graphic oeuvre consists mainly of pen and ink composition drawings, which are characterized by repeated, long horizontal hatchings and strongly defined chiaroscuro effects.  In the present drawing, the areas of contrasting light and shadow are also emphasized by the abundant application of brown wash, which unifies the composition.

Linda Wolk-Simon has given an account of the artist's known drawings, in the catalogue to the exhibition, Sixteenth-Century Italian drawings in New York Collections, held at the Metropolitan Museum of Art, New York, in 1994 (p. 109, note 4).

西洋古典素描

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