拍品 44
  • 44

GIOVANNI DOMENICO TIEPOLO | A Centaur embracing a Fauness

估價
14,000 - 18,000 USD
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描述

  • A Centaur embracing a Fauness
  • Pen and brown ink and two shades of brown wash over black chalk;signed in pen and brown ink: Dom. Tiepolo f.
  • 198 by 270 mm; 7 3/4  by 10 5/8  in

來源

Italico Brass Collection;
with Feilchenfeldt, Zurich 1967;
P. and N. de Boer Foundation, their sale, London, Christie's, Old Master Drawings from the Stichting Collectie P. en N. de Boer, 4 July 1995, lot 72

出版

J. Cailleux, Centaurs, Fauns, Female Fauns, and Satyrs among the drawings of Domenico Tiepolo, Supplement to The Burlington Magazine, 1974, CXVI, no. 45, fig. 39

Condition

Hinged at the top. Some scattered foxing especially on the upper part of the sheet. Sold in a modern wooden frame
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

This is one of Giovanni Domenico's extensive group of drawings of centaurs, satyrs and their families, which were described by James Byam Shaw as 'the most delightful and original of all Giandomenico's allegorical and mythological subjects.'1  Although Tiepolo approached the theme of centaurs and satyrs in the frescoes for the family villa of Zianigo, James Byam Shaw believed that the group of drawings were executed as works of art in their own right, rather than being preparatory for that specific project, and dated that series to the years between 1761 and 1791.2  Jean Cailleux, however, thought they were slightly earlier, beginning around 1755, noting that the group may have included as many as one hundred drawings.3 1. J. Byam Shaw, The Drawings of Domenico Tiepolo, London 1962, pp. 41-2
2. Ibid
3. Cailleux, op.cit.