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Sigismondo Caula
MODENA 1637 - 1724
STUDY OF A KNEELING MAN, POSSIBLY AN APOSTLE, HIS ARMS OUTSTRETCHED 
Point of the brush and reddish brown wash, heightened with white;
bears old attribution in pen and black ink, lower right: P. Farinato and also bears the same attribution on the mount, lower left:  P. Farinato. del.
270 by 210 mm; 10 5/8  by 8 1/4  in
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來源

Benjamin Wolff (1790-1866), Engelholm (L.420)

相關資料

Characteristic of Caula's painterly and broad style, this sheet can be compared to similar figure studies, executed in the same media, which bear traditional attributions to the Modenese artist.  Among these, a particularly close comparison can be made with the study of Two seated Bearded Male Figures, in the Metropolitan Museum, New York,1 and also a sheet in the British Museum, A figure kneeling in profile before a Crucifix, formerly in The Benno Geiger collection.2

1. Inv. no. 61.143; J. Bean, 17th Century Italian Drawings in the Metropolitan Museum of Art, New York 1979, no. 124, reproduced
2. Inv. no. 1920-12-20-1; B. Geiger, Handzeichnungen alter Meister, Vienna 1948, reproduced pl. 60

西洋古典素描

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