拍品 132
  • 132

PAULUS VAN LIENDER | A view of a Church by a square with figures carrying baskets

估價
6,000 - 8,000 USD
招標截止

描述

  • A view of a Church by a square with figures carrying baskets
  • Watercolor over traces of pencil, within two sets of black ink framing lines;signed and dated in brown ink, verso: Paul van Liender fec: 1777.
  • 220 by 275 mm; 8 3/4  by 10 7/8  in

來源

Sale, Amsterdam, Christie's, 25 November 1991, lot 203,
where acquired by the present owners

Condition

Hinge mounted in two places along the upper edge to a modern cream mount. There are two small brown studio stains to the lower left corner, some very minor small stains to the upper right quarter and a small light gray stain to the right of the centre tree. The watercolor medium remains in predominantly good condition throughout. Sold in a modern giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

Paulus van Liender came from a family of artists, training initially with his uncle Jacobus, an enthusiastic amateur draughtsman. Around 1750, he moved from Utrecht to Amsterdam where he apprenticed in a merchant's office, taking lessons in topographic drawing. Van Liender subsequently moved to Haarlem around 1760 where, alongside his artistic endeavors, he also became a highly successful lumber dealer, miraculously also finding the time to help establish the Haarlem Drawing Academy in 1772. For a very different aspect of Van Liender's draughtsmanship, see the late woodland view in the collection (lot 136).