- 116
JACOB DE WIT | Putti playing around a herm
估價
30,000 - 40,000 USD
招標截止
描述
- Style of Jacob de Wit
- Putti playing around a herm
- Pen and black ink and brown and gray wash, heightened with white, over red chalk;signed in brown ink, lower left: Jdwit F. invt, and inscribed, verso: Schoorsteen Stuckie voor d Heer ... Hagelis / 1732 geschildert 17..
- 267 by 164 mm; 10 1/2 by 6 1/2 in
來源
Sir Charles Greville (L.549),
thence by descent to his nephew George Guy, 4th Earl of Warwick (L.2600);
sale, London, Christie's, 20-21 May 1896, lot 102;
Kurt Meissner, Zurich;
Jacobus A. Klaver, Amsterdam (bears his mark, not in Lugt, on the backing),
his sale, Amsterdam, Sotheby Mak van Waay, 10 May 1994, lot 108,
where acquired by the present owners
thence by descent to his nephew George Guy, 4th Earl of Warwick (L.2600);
sale, London, Christie's, 20-21 May 1896, lot 102;
Kurt Meissner, Zurich;
Jacobus A. Klaver, Amsterdam (bears his mark, not in Lugt, on the backing),
his sale, Amsterdam, Sotheby Mak van Waay, 10 May 1994, lot 108,
where acquired by the present owners
展覽
Amsterdam, Rijksmuseum, Tekeningen van Oude Meesters, De Verzameling Jacobus A. Klaver, 1993, cat. no. 107;
Boston, St. Botolph Club, A Selection of Dutch 18th Century Drawings and Watercolors from the Gordon Collection, 2003, no. 18
Boston, St. Botolph Club, A Selection of Dutch 18th Century Drawings and Watercolors from the Gordon Collection, 2003, no. 18
Condition
Window mounted on a modern paper backing, which has subsequently been hinged along the left edge to a modern mount. There is some very minor discoloration to the sheet, however the extraordinary combination of media employed by the artist, all remain in very fine condition throughout. Sold in a modern giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
拍品資料及來源
This drawing, surely a decorative design for a chimneypiece and executed in an elaborate combination of pen and ink, wash, red chalk and white heightening, is one of the most highly refined sheets by De Wit to appear on the market in recent times and is a striking example of the artist’s virtuosity as a draughtsman. Though De Wit’s drawings do appear with some regularity on the open market (see lots 113 and 114), the present sheet is a particularly fine example due, in part, to its high degree of finish, created through De Wit’s almost sculptural use of the his media, coupled with its superb condition. As mentioned in the 1994 catalogue entry (see Provenance) the verso of this drawing, like many others by De Wit, bears an inscription noting for which commission it was made. The patron, mentioned in this inscription, appears to have been the wealthy art collector Bernardus Hagelis (1680-1761), whose extensive art collection was sold in Amsterdam in the year after his death.1 Robert-Jan te Rijdt has kindly informed us that Hagelis is recorded as having bought his house at Keizersgracht 223 in Amsterdam in December 1731, and the present drawing must surely therefore be the design for a painting, commissioned by Hagelis from De Wit to decorate his new house.
A comparable red chalk drawing by de Wit, similarly depicting Putti decorating a Herm with Garlands,2 is today in the collection of The Metropolitan Museum of Art, New York, however in spite of the highly comparable subject matter, Guus van den Hout dates this drawing to significantly earlier in de Wit’s career, circa 1715.
1. See Hagelis sale, Amsterdam, 8 March 1762
2. New York, The Metropolitan Museum of Art, inv. no. 1971.513.36
A comparable red chalk drawing by de Wit, similarly depicting Putti decorating a Herm with Garlands,2 is today in the collection of The Metropolitan Museum of Art, New York, however in spite of the highly comparable subject matter, Guus van den Hout dates this drawing to significantly earlier in de Wit’s career, circa 1715.
1. See Hagelis sale, Amsterdam, 8 March 1762
2. New York, The Metropolitan Museum of Art, inv. no. 1971.513.36