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西洋古典油畫及素描

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Santi di Tito
1536年生於桑塞波爾克羅,1602年卒於佛羅倫斯
THE RESURRECTION
Pen and brown ink and wash over black chalk, heightened with white, on blue paper;
bears old attribution in brown ink, lower left: Santi di Tito Fiorentino and a further, partially legible attribution, verso: ... Palma ...
312 by 208 mm
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來源

Sale, London, Sotheby's, 10 December 1979, lot 217

出版

S. Lecchini Giovannoni and M. Collareta, Disegni di Santi di Tito, exhib. cat., Florence, Uffizi, 1985, p. 30, under no. 9

相關資料

This is a highly finished preparatory study for Santi di Tito's altarpiece in Santa Croce, Florence (Fig.1).
Other studies for the composition are in the Istituto Nazionale per la Grafica, Rome1 and the Art Institute of Chicago,whilst a preliminary study, with many differences to the finished altarpiece, was sold at Sotheby's New York in 1985.A 16th century copy, long thought to be autograph, is today housed in the Hamburg Kunsthalle,4 whilst the Uffizi possesses a drawing, first given by Spalding and subsequently by Fischer, to Cigoli, described by both as a copy after the Santa Croce altarpiece.5

1. See The Golden Age of Florentine Drawing: Two Centuries of Disegno from Leonardo to Volterrano, exhib. cat., Fort Worth, Kimbell Art Museum et al., 1994, no. 28, reproduced
2. S. Folds McCullagh and L. Giles, Italian Drawings before 1600 in the Art Institute of Chicago, Chicago 1997, pp. 222-223, no. 288
3. Sale, New York, Sotheby's, 16 January 1985, lot 4
4. D. Klemm, Italienische Zeichnungen 1450-1800, Cologne 2009, p. 349, no. 532, p. 232, fig. 532, reproduced
5. Lecchini Giovannoni and Collareta, Op. cit., p. 90, no. 94, fig. 108, reproduced

西洋古典油畫及素描

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倫敦