PIETRO FABRIS | A) View of Naples, looking towards Castel dell' Ovo B) View of Naples, looking towards Mergellina

Please note that these gouaches have not been viewed out of their frames. In both views the colours have faded due to exposure to light. There are some minor abrasions to the surface around the edges. The view with the horse and carriage in the foreground has some oxidisation in the sky of the left section of the sheet. Depsite the colours fading both views are still strong and reasonably fresh. Both sold in their original English 18th Century frames.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

These attractive and picturesque views of 18th-century Naples, still in their original English 18th-century frames, perfectly capture the Grand Tour ideal where British travellers were keen to take back pictures of their adventures as souvenirs of their expeditions abroad. Very little is known about Pietro Fabris’s life but he was supposedly born in England to a Venetian stage set designer called Jacobo Fabris.  He is best known for his work with Sir William Hamilton, the diplomat and geologist, with whom he travelled to Italy, capturing images of the volcanoes at Etna and Vesuvius for two publications on observations of volcanic activity.  He also painted genre scenes of locals at work and at play against the backdrop of the Neapolitan landscape and the present two gouaches are fine examples of such scenes.

In both views horse carriages can be seen transporting people through the somewhat rugged terrain whilst locals go about their daily activities.  In the view looking towards Castel dell’Ovo, we can see the church of Santa Maria della Vittoria on the left and further along the bay to the right is the church of Crocelle al Chiatamone.  In the view looking towards Mergellina the Church of Sant’Antonio a Posillipo can be seen across the bay, directly opposite the fountain and further along one can see the dome of the church of Santa Maria in Portico.

Two identical views, by Fabris, executed in gouache, with different staffage, were sold at Christie’s in 1989.<sup>1

1.</sup> Sale, New York, Christie's, 11 January 1989, lot 107 (View of Naples looking towards Mergellina) and lot 108 (View of Naples looking toward the Castel dell'Ovo)