138
138
Grand kalendrier
LE GRANT KALENDRIER DES BERGIERS. SENSUYT CE QUE CONTIENT CE PRESENT KALENDRIER DES BERGIERS AVEC PLUSIEURS ADDITIONS NOUVELLEMENT ADIUSTEES. [LYON: CLAUDE NOURRY], ?1511 (DATE ON B7V)
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138
Grand kalendrier
LE GRANT KALENDRIER DES BERGIERS. SENSUYT CE QUE CONTIENT CE PRESENT KALENDRIER DES BERGIERS AVEC PLUSIEURS ADDITIONS NOUVELLEMENT ADIUSTEES. [LYON: CLAUDE NOURRY], ?1511 (DATE ON B7V)
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拍品詳情

音樂藝術、中世紀與文藝復興時期手稿及歐陸古籍

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Grand kalendrier
LE GRANT KALENDRIER DES BERGIERS. SENSUYT CE QUE CONTIENT CE PRESENT KALENDRIER DES BERGIERS AVEC PLUSIEURS ADDITIONS NOUVELLEMENT ADIUSTEES. [LYON: CLAUDE NOURRY], ?1511 (DATE ON B7V)
4to (235 x 162mm.), a-m8, lettres batardes, title and calendar printed in red and black, woodcut initials and illustrations (one full-page on verso of title-page, depicting the Virgin and Child with saints), modern crushed burgundy morocco by Lobstein, slipcase, incomplete (lacking e1 & e8, g1, [2 other leaves from g], l2, m1 and m8), b1-6 defective at foredge and repaired, e3 repaired at lower corner, a few other small paper repairs, inscription washed from foot of title-page
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出版

cf. Bechtel, Les Gothiques français C-17 and von Gültlingen, Nourry 35 (1510 edition, with the same dates for the eclipses but with "nouvellement imprime" added to the title), and Mortimer, Harvard French 126 (a later Lyon edition of 1551 using Nourry's woodblocks)

相關資料

A rare survival of this popular encyclopedia and almanac with medical receipts and moral precepts, as well as a monthly calendar of festivals, comparing the life of man with the cycle of the year, and illustrated with fine woodcuts. Numerous editions were produced from the late fifteenth century onwards, all of which are rare. The woodblocks in the various Nourry editions were smaller copies of those in Guy Marchant's versions from 1491 onwards.

The eclipses listed in c1-2 cover the years 1511-1551, which is the same as Nourry's 1510 edition. The inhabited woodcut L on the title is also used by Nourry for his 1508 and 1510 editions, which have very similar (but not identical) title-pages.

RARE. We have not been able to trace another copy of this edition. Bechtel opines that editions would most likely have been printed every year (p.108).

音樂藝術、中世紀與文藝復興時期手稿及歐陸古籍

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