拍品 80
  • 80

LEO WHELAN, R.H.A. | The Artist's Niece Lena

估價
7,000 - 10,000 GBP
招標截止

描述

  • Leo Whelan, R.H.A.
  • The Artist's Niece Lena
  • signed l.r.: LEO WHELAN
  • oil on panel
  • 30.5 by 26cm., 12 by 10¼in.

來源

Family of the Artist;
Gorry Gallery, Dublin  

展覽

Boston, Boston College Museum of Art, America’s Eye: Irish Paintings from the Collection of Brian P. Burns, 26 January - 19 May 1996, no.12, illustrated p.87, with tour to Dublin, Hugh Lane Municipal Gallery of Modern Art, 19 June - 25 August 1996 and New Haven, Yale Center for British Art, 25 September 1997 - 4 January 1998

Condition

The panel appears to be sound and the work in good overall condition. Minor frame abrasion to extreme lower right edge. UV light reveals opaque varnish. There are two spots of retouching near the upper right corner, another small area to the centre of the lower edge and a few spots near the table in the centre of the left edge. Held in an ebony composite frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Although depicting the artist's niece and painted circa 1940 at the Whelan family home in Dublin, the feeling achieved is clearly of domestic life in a rural cottage at the end of the 19th century. In a sparse room, a young woman sews beside a table placed in front of a fireplace. The earthy tones emphasise the rural setting, while the composition and use of light also reveals the artist's interest in the early Dutch genre masters. Whelan studied at the Dublin Metropolitan School of Art under William Orpen whose influence can be seen in the free, lively brushwork that cleverly evokes different textural surfaces. Aside from such genre scenes, Whelan became one of the leading portraitists of the age.