清康熙 素三彩「歲寒三友」筆筒 |

巴黎佳士得2002年11月26日，編號98
A & J Speelman，倫敦，2003年

Cecile 及 Michel Beurdeley，《A Connoisseur’s Guide to Chinese Ceramics》，紐約，1974年，圖版124

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我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

During the Kangxi period potters revisited many earlier techniques adapting, adjusting and ultimately recreating glazes in novel ways. The sancai glaze of the Tang dynasty reappeared and, when applied directly to biscuit, proved particularly well-suited for figures and forms with molded, incised and applied decoration. The technique was especially popular for producing scholar's objects. The present brushpot exemplifies both the taste for archaism and naturalism popular among literati at the time. Simultaneously rustic and refined, this superbly detailed representation of vibrant green bamboo provided a scholar with a useful object, replete with auspicious meaning and an invigorating breath of nature while working indoors.

Brushpots in this form were also made with an overall turquoise glaze, for example, a pair in the collection of Anthony Gustav de Rothschild, illustrated in Regina Krahl, The Anthony de Rothschild Collection of Chinese Ceramics, vol. 2, London, 1996, cat. no. 262. A related brushpot, but also turquoise-glazed, from the E. T. Chow Collection sold in our Hong Kong rooms, 27th May 2014, lot 92.