清康熙 五彩松山瑞鹿圖方瓶 |

Alberto Varela Santos，倫敦，2002年

整體品相良好，口沿、角及邊緣處見瑕疵分佈，部分經修。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。

準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

'Hundred deer' vases in famille-verte enamels are unusual and no other example of the present form is known. Successful potting of square forms was a notorious challenge. Square-section porcelain vases first appear in the late Ming dynasty. In order to survive the firing, thicker walls were required to reinforce lute lines. The Kangxi period rendering of this ambitious form attests to the confidence and technical prowess of the potters who not only rose to the challenge of the form but surpassed earlier versions with longer tapering sides joined by clean right angles and surmounted by a gently flaring cylindrical mouth. A related famille-verte enameled vase of the same form, but with bird and flower decoration, bearing an apocryphal Jiajing mark, in the Shanghai Museum Collection is illustrated in Kangxi Porcelain Wares from the Shanghai Museum Collection, Hong Kong, 1998, pl. 103.