拍品 49
  • 49

UTAGAWA KUNIYOSHI (1798-1861)THE GHOSTS OF THE TAIRA ATTACK YOSHITSUNE IN DAIMOTSU BAY EDO PERIOD, 19TH CENTURY |

估價
8,000 - 10,000 GBP
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招標截止

描述

  • 49.6 x 91 cm, 19 1/2  x 35 4/5  in. 
woodblock triptych, each sheet signed Ichiyusai Kuniyoshi ga, published by Enshuya Hikobei, circa 1849-1852

Condition

This is an early impression, the colours have slightly faded and all three sheets have been backed. There is some trimming to the margins. There is some staining, particularly around the sail of the boat. Some small areas of paper loss to the edges, as can be seen in the illustration, and some areas of restoration to the edges mainly to the central print.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
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拍品資料及來源

The work depicts the ghosts of the Taira family exacting revenge upon Minamoto Yoshitsune (1159-1189). Following their brutal defeat during a historic battle at Daimotsu bay. The ghosts of the Taira clan are silhouetted against a dark sky as they attack Yoshitsune's ship and the troops can be seen lowering the boat's sails as the gigantic waves rise up. The noh play Funa Benkei [Benkei in the Boat] recounts this episode, which eventually ends well for Yoshitsune and his men due to Yoshitsune's faithful retainer, the monk Benkei, who offers prayers to the gods of the sea, causing the angry ghosts to disappear. This example is an earlier printing where the horns are still present on the ghosts - in later versions the horns were cut off, the reason for which is unknown.

For a similar impression in the collection of the Metropolitan Museum of Art, New York, accession number JP1565, go to: https://www.metmuseum.org/art/collection

For two further examples of this print in the collection of the Museum of Fine Art, Boston, accession numbers 11.30566A-C, 1992.568A-C, go to: https://www.mfa.org/collections/search

For further reading and additional impressions, including the first edition, see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61