拍品 73
  • 73

BARRIE COOKE | Long Nude

估價
15,000 - 25,000 GBP
招標截止

描述

  • Barrie Cooke
  • Long Nude
  • signed, titled and dated on the reverse: Long Nude/ Barrie Cooke/ 2006
  • oil on canvas
  • 185 by 185cm., 72¾ by 72¾in.

來源

Kerlin Gallery, Dublin, where purchased by the present owner

展覽

Dublin, Kerlin Gallery, Barrie Cooke, 2006;
Dublin, Irish Museum of Modern Art, Barrie Cooke, June - September 2011, no.65, illustrated, with tour to Cork, Crawford Art Gallery and Paris, Centre Culturel Irlandais

Condition

Original canvas. Small surface abrasion in dark pigment near upper right corner. Otherwise The work appears in good overall condition. Under UV light there appear to be no signs of retouching. Unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
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拍品資料及來源

Having extensively travelled for much of his life, Barrie Cooke’s style has undoubtedly been influenced by the encounters and sights he witnessed in the numerous countries he visited across the world. His richly expressionist, semi-abstract style is typically displayed in this oil on canvas- Long Nude- displaying a female form lying languidly across a dark bed. Over his artistic career, Cooke continuously returned to painting the nude in varying poses and this focus can be viewed as one of his most consistent subjects of expression - the present work being a seminal example. The stark contrast in the colours between the pale nude and black background highlights the reclining figure, focusing our attention on the brushstrokes and technique producing the varying contours of her curving form. The fluid effect of the thinned down oil paint allows the rich colours to spread smoothly across the canvas, giving an almost watercolour-like quality.

Forgetting past artistic traditions set by Old Masters, Cooke does not idealise his female nudes, painting directly from life. This work represents the modern emblem of the reclining nude, displaying a sexual and desirable energy that focuses on the physical form and consequently reinvents a theme that has been consistently practised over the history of art.