176
176

THE TRIUMPH OF COLOR: IMPORTANT WORKS FROM A PRIVATE EUROPEAN COLLECTION

Émile Antoine Bourdelle
GUERRIER ALLONGÉ AU GLAIVE, GRAND MODÈLE
估價
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
80,000 — 120,000
美元
拍品已售 150,000 美元 成交價 (含買家佣金)
前往
176

THE TRIUMPH OF COLOR: IMPORTANT WORKS FROM A PRIVATE EUROPEAN COLLECTION

Émile Antoine Bourdelle
GUERRIER ALLONGÉ AU GLAIVE, GRAND MODÈLE
估價
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
80,000 — 120,000
美元
拍品已售 150,000 美元 成交價 (含買家佣金)
前往

拍品詳情

印象派及現代藝術日拍

|
紐約

Émile Antoine Bourdelle
1861 - 1929年
GUERRIER ALLONGÉ AU GLAIVE, GRAND MODÈLE
Inscribed © By Bourdelle, numbered no. 1 and stamped with the foundry mark M. Hohwiller Fondeur. Paris.
Bronze
Length: 53 in.
134.6 cm
Conceived in 1898 and cast by the Hohwiller Foundry, France in an edition of 3 circa 1960.
參閱狀況報告 參閱狀況報告

來源

Musée Bourdelle, Paris
Acquired from the above circa 1960

出版

Ionel Jianou & Michel Dufet, Bourdelle, Paris, 1978, no. 170, p. 83
Carol Marc Lavrilier & Michel Dufet, Bourdelle et la critique de son temps, Paris, 1992, illustration of another cast p. 15

相關資料

At age 32, Bourdelle attracted the admiration of Auguste Rodin whose studio he joined in 1893. As Rodin's colleague he translated the master's clay models into finished marbles, and in this process he developed a complete understanding of the master's methods and philosophy. Bourdelle was no mere assistant; Rodin corresponded with him on equal terms about his creative process.

Conceived during Bourdelle’s time working in Rodin’s studio, Le Guerrier au glaive exemplifies the artist‘s trademark use of the heroic forms. In the present work, Bourdelle highlights the dynamism of the human body and reveals a height of human emotion. As Charle Morice notes, Bourdelle's works achieve a “realism that borders on idealism... Bourdelle’s art marks the transition from the long period of enslavement by reality, which we have experienced, to the new, necessary phase in which the artist will review in his heart all the secrets of nature and reflect them in a creation more faithful to general truth and at the same time revealing his own persona, intimate truth” (quoted in Ionel Jianou & Michel Dufet, Bourdelle, Paris, 1978, pp. 28-29).

前往

印象派及現代藝術日拍

|
紐約