THE HAGGADAH, EXECUTED BY ARTHUR SZYK, EDITED BY CECIL ROTH, LONDON: BEACONSFIELD PRESS, LIMITED, [1940]

118 pages (11 x 9 1/4 in.; 280 x 235 mm) printed on double-vellum sheets (two connected vellum leaves with the flesh sides facing inward) with Hebrew and English calligraphic text in variously colored inks. Fourteen full-page and numerous smaller color halftone reproductions of Szyk’s original watercolor gouaches, including embellished initials, vignettes, and border decorations. Minor discoloration along edges of first and final folios; slight warping and/or discoloration episodically throughout; small mark in pencil in outer margin of p. xx. Original, elaborately gilt blue crushed morocco, slightly scuffed; covers tooled with image of a Hebrew prophet after Szyk; spine in seven compartments with raised bands, gilt title and author/editor names in two of them, the rest with gilt crown motifs; turn-ins gilt; silk doublures printed with a monochromatic illustration of Moses supporting the Ten Commandments; bound by Sangorski and Sutcliffe, London. Housed in original three-quarter morocco folding case, lightly damaged along joints and edges and slightly stained.

Limited edition, number 124 of 125 vellum copies signed by Szyk and Roth for sale in the British Empire. This Haggadah represents the culmination of a thousand-year-old tradition of illuminated Hebrew manuscripts. Upon its publication, The Szyk Haggadah was described by the Times Literary Supplement of London as “a book worthy to be placed among the most beautiful of books that the hand of man has produced.” Each individually illuminated text is an example of both extraordinary artistic accomplishment and of profound scholarship. There could be no more fitting subject than the Haggadah for this milestone collaboration between Arthur Szyk (1894-1951), the Polish refugee and internationally acclaimed illuminator, and Cecil Roth (1899-1970), the preeminent British doyen of Jewish history, who edited the text and appended a historical introduction.

Given the unfolding events in Nazi Europe, the Haggadah became, for Szyk, a personal and political statement. Dedicating his Exodus narrative to King George VI (1895-1952), Szyk acknowledged the key role that England, his temporary place of residence, had to play in Jewish survival: “At the Feet of Your Most Gracious Majesty i [sic] humbly lay these works of my hands, shewing forth the Afflictions of my People Israel. arthur szyk [sic], illuminator of Poland.” Of his accomplishments, Szyk wrote in French on the page opposite the title: “I am but a Jew praying in art, and if I have worked, if I have succeeded to some degree, if I have been favorably accepted among the elite of society, I owe it all to the teachings, traditions, and eternal virtues of my people.”

Literature

Irvin Ungar, “Telling the Story: A History of the Szyk Haggadah,” in Byron L. Sherwin and Irvin Ungar (eds.), Freedom Illuminated: Understanding the Szyk Haggadah (Burlingame, CA: Historicana, 2008).

Avraham Yaari, Bibli’ogerafyah shel haggadot pesah me-reshit ha-defus ve-ad ha-yom (Jerusalem: Bamberger & Wahrman, 1960), 159 (no. 2285).

Isaac Yudlov, Otsar ha-haggadot: bibli’ogerafyah shel haggadot pesah me-reshit ha-defus ha-ivri ad shenat [5]720 (Jerusalem: Magnes Press, 1997), 271 (no. 3712).

Isaac Yudlov, “Defusei kelaf be-beit ha-sefarim ha-le’ummi ve-ha-universita’i,” Kiryat sefer 68 (supplement) (1998): 261-273, at p. 272 (no. 41).