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清康熙 青花赤壁夜遊圖詩文筆筒 《文章山斗》款 |
估價
60,000 - 80,000 USD
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招標截止
描述
- 《文章山斗》款
- porcelain
來源
紐約佳士得2007年3月22日，編號324
Condition
null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您徵詢其他專業修復人員，以獲得更詳盡、專業之報告。
準買家應該檢查每件拍品以確認其狀況，蘇富比所作的任何陳述均為主觀看法而非事實陳述。雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。
拍品資料及來源
This brushpot is notable for the skilful craftsmanship in the rendering of both a lively scene in vivid shades of underglaze blue and the calligraphy which is inscribed in precise regular script. It illustrates a scene and the text from the famous rhapsody Hou Chibifu/Latter Ode to the Red Cliff, composed by the celebrated Northern Song poet, Su Shi (1037-1096), to commemorate his trips to the historical battlefield of Red Nose Cliffs during his political exile. Concluding with a qilu (comprised of eight lines of seven characters) of related subject, the calligraphy is likely have been inscribed by Xie Qing Zhu Ren as indicated by the signature and seal.
A Kangxi mark and period brushpot decorated with a closely related scene and inscription, in the Palace Museum, Beijing, is illustrated in Chen Runmin, Qing Shunzhi Kangxi chao qinghua ci [Qing blue and white porcelain from the Shunzhi and Kangxi periods], Beijing, 2005, pl. 206; one was included in the exhibition Ceramics in Scholarly Taste, National Museum Art Gallery, Singapore, 1993, cat. no. 76; and another was sold in these rooms, 30th March 2006, lot 312.
The concluding four-character mark in seal script, Xi Chao Chuan Gu (transmitting antiquities In the Kangxi reign), exemplifies the popular trend of referencing Chinese antiquities in works of arts produced during this time as a means for the Manchu court to obtain support from the Han intellectual elites. A brushpot with a similar mark, but inscribed in underglaze red, preserved in the Nanjing Museum, Nanjing, is illustrated in Xu Huping, ed., Qingdaiciqi.Nanjing bowuguan zhencang xilie/Imperial Kiln Porcelain of Qing Dynasty.Gems of Collections in the Nanjing Museum, Shanghai, 1998, pl. 2. See also another brushpot with a similar seal mark in underglaze blue, sold at Christie’s New York, 4th June 1987.
The four-character mark on the base of the present piece, wen zhang shan dou, is also found on a brushpot, but decorated with another scene from Su Shi’s Qian Chibi Fu/Former Ode to the Red Cliff, sold in our Hong Kong rooms, 31st October 1995, lot 191; and another sold at Christie’s New York, 25th March 2010, lot 957.
A Kangxi mark and period brushpot decorated with a closely related scene and inscription, in the Palace Museum, Beijing, is illustrated in Chen Runmin, Qing Shunzhi Kangxi chao qinghua ci [Qing blue and white porcelain from the Shunzhi and Kangxi periods], Beijing, 2005, pl. 206; one was included in the exhibition Ceramics in Scholarly Taste, National Museum Art Gallery, Singapore, 1993, cat. no. 76; and another was sold in these rooms, 30th March 2006, lot 312.
The concluding four-character mark in seal script, Xi Chao Chuan Gu (transmitting antiquities In the Kangxi reign), exemplifies the popular trend of referencing Chinese antiquities in works of arts produced during this time as a means for the Manchu court to obtain support from the Han intellectual elites. A brushpot with a similar mark, but inscribed in underglaze red, preserved in the Nanjing Museum, Nanjing, is illustrated in Xu Huping, ed., Qingdaiciqi.Nanjing bowuguan zhencang xilie/Imperial Kiln Porcelain of Qing Dynasty.Gems of Collections in the Nanjing Museum, Shanghai, 1998, pl. 2. See also another brushpot with a similar seal mark in underglaze blue, sold at Christie’s New York, 4th June 1987.
The four-character mark on the base of the present piece, wen zhang shan dou, is also found on a brushpot, but decorated with another scene from Su Shi’s Qian Chibi Fu/Former Ode to the Red Cliff, sold in our Hong Kong rooms, 31st October 1995, lot 191; and another sold at Christie’s New York, 25th March 2010, lot 957.