明洪武 青花靈芝番蓮紋菱口折沿盞托 |

Sotheby's London, 28th June 1966, lot 71.
Sotheby's London, 18th May 1971, lot 181.

null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您向其他專業修復人員索取諮詢，以獲得更詳盡、專業之報告。

準買家應該檢查每款拍品以確認其狀況，蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知（見圖錄）。

雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

A very similar cupstand from the collections of Jean-Pierre Dubosc and Mr and Mrs John A. Pope, was included in the exhibition Mostra d’Arte Cinese/Exhibition of Chinese Art, Palazzo Ducale, Venice, 1954, cat. no. 611; another from the collection of Dr H.P. Stevens, was sold in our London rooms, 28th June 1966, lot 70; one with a lotus spray in the centre, in the Capital Museum, Beijing, is published in Shoudu Bowuguan cang ci xuan [Selection of porcelains from the Capital Museum], Beijing, 1991, pl. 86; and a fourth example from the Edward T. Chow and Myron S. Falk collections, is published in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 4, pt. I, London, 2010, pl. 1627. A cupstand of this type with a lotus scroll replacing the chrysanthemums was excavated from the waste heaps of the Ming imperial kilns at Zhushan, Jingdezhen, and included in the exhibition Jingdezhen chutu Ming chu guanyao ciqi/Imperial Hongwu and Yongle Porcelain Excavated at Jingdezhen, Chang Foundation, Taipei, 1996, cat. no. 17.

Compare also a copper-red version of the present dish, from the Meiyintang collection, published in Krahl, op. cit., vol. 2, pl. 644, sold in these rooms, 7th April 2011, lot 44.