拍品 298
  • 298

SPENDER, STEPHEN. AN ARCHIVE OF LETTERS, ONE CONTAINING AN UNPUBLISHED POEM

估價
4,000 - 6,000 USD
招標截止

描述

  • An archive of letters, one containing an unpublished poem
  • paper, ink
Group of 19 autograph letters and 1 typed letter, signed ("Stephen"), 66 pages (various sizes), Evanston IL, London, Zurich, and v.p., 4 May 1973 — 22 October 1975, to Stephen Sewall, 12 autograph envelopes; vertical and horizontal folds. 

來源

Dr. Stephen Sewall

Condition

Group of 19 autograph letters and 1 typed letter, signed ("Stephen"), 66 pages (various sizes), Evanston IL, London, Zurich, and v.p., 4 May 1973 — 22 October 1975, to Stephen Sewall, 12 autograph envelopes; vertical and horizontal folds.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.

拍品資料及來源

Chronicle of a brief friendship. In May 1973, Stephen Spender was ending a year-long term as a visiting professor at Northwestern University in Evanston, IL.  At a cocktail given in his flat, the poet met Stephen Sewall, a young Instructor of English at the University.  After the other guests had left, the two men talked long into the night.  Although Spender never saw Sewall again after he left Evanston, the two corresponded till the end of 1975.On 8 June 1973, Spender wrote a farewell note to Sewall and included an untitled fifteen-line poem of unrequited love that begins "I am in your dreams / Have you ever seen me? I appear / a lover who will find himself / in a woman. But whose / nakedness is known to you." 

In his letter of 3 June 1973, Spender comments, "Please remember that most of our relationship has been my thinking about our relationship. Well, what I think is that you are engaged on a quest which has nothing to do with me. The only function I can possibly play is understanding it ..." Despite the ambiguous nature of the relationship, Spender wrote from London on 10 June, "[D]on't you think that young guy who climbed into the window and got us those pencils must have been rather inspired by the sight of us to do such a thing?" In the coming months Spender and his wife Natasha travel to Corfu and France and the poet brings Sewall's thesis prospectus on Tom Jones along to read.

In a fine letter written just after W. H. Auden's funeral in October 1973, Spender writes, "At that funeral, I thought that all arrangements in life are conventions partly imposed by society but partly also by the nature of things. We walked in a procession behind the coffin while a man from the British Embassy and I chatted about the weather (it was a beautiful day). We were enclosed by convention in a kind of space, Auden in another. I felt this even more when the coffin was in the grave — Auden lying there shut off from the rest of us, no one speaking to him ... an extreme application of the convention." Of his daughter Lizzie, he writes, "She's still writing journalism about the Pop world and is friends of strange, strange people like David Bowie, those monstrous people whose names I can't remember, and people dressed like London costermongers in 1850 and called by names like Gary Glitter."

Writing on his last day in Evanston, Spender summed up the pleasure he derived from his friendship with Stephen Sewall: "What was so delightful last night and all yesterday was that you'd obviously planned the whole day for pleasure — mostly mine though perhaps it gave you pleasure too. I do hope so. ... I don't feel at all sad leaving, because I think we've gone a very long way and arrived at the idea of pleasant days not burdensome that we could have together."