- 3439
清乾隆 糖玉臥象 《乾隆年製》款 |
描述
- 《乾隆年製》款
- jade
- 12.6 公分,4 7/8 英寸
來源
巴黎蘇富比2014年12月11日,編號161
拍品資料及來源
Captured in an archaistic Song style in both carving and selection of stone, Qianlong period elephants of this type are less common than the white jade versions that stand four-square; a comparable figure carved from grey and russet jade, but with its front legs outstretched, was sold in our New York rooms, 24th March 1998, lot 383; and a pale grey version, but looking ahead, attributed to the 17th/18th century, is illustrated in Roger Keverne, Jade, London, 1001, pl. 70. See also a green and russet jade figure of a standing elephant with head turned and fashioned in a similar style, from the Woolf collection, included in the exhibition Later Chinese Jades, Percival David Foundation of Chinese Art, London, 1995, cat. no. 6, and published in The Woolf Collection of Chinese Jade, London, 2013, pl. 97. For a Song dynasty prototype, compare a figure of a reclining elephant included in the exhibition Chinese Jade Animals, Hong Kong Museum of Art, Hong Kong, 1996, cat. no. 100.
The elephant is traditionally an auspicious animal symbolic of peace and strength. In Buddhism a grey elephant represents the uncontrolled mind of a person at the beginning of their practice of dharma, while a white elephant represents the tamed mind. In Chinese folklore, the elephant is a symbol of peace and the phrase 'taiping youxiang, yutang fugui' (may there be peace and may your noble house be blessed with wealth and honour) is one that is traditionally used during New Year celebrations.