平安時代早期（九世紀） 日本貼金木雕佛手 |

null
我們很高興為您提供上述拍品狀況報告。由於敝公司非專業修復人員，在此敦促您向其他專業修復人員索取諮詢，以獲得更詳盡、專業之報告。

準買家應該檢查每款拍品以確認其狀況，蘇富比所作的任何陳述均為專業主觀看法而非事實陳述。準買家應參考有關該拍賣的重要通知（見圖錄）。

雖然本狀況報告或有針對某拍品之討論，但所有拍賣品均根據印於圖錄內之業務規則以拍賣時狀況出售。

Early Heian period Buddhist wood figures were carved in one block in the ichiboku-zukuri technique while the latter Heian and succeeding Kamakura period sculptures were usually conceived from hollowed out segments, carved separately and subsequently joined together in the so called yosegi and warihagi zukuri technique. However the limbs could be carved separately from different blocks and fitted to the figure. This is the case for the famed early Heian sculpture of the Healing Buddha Yakushi preserved in the temple of Jingo-Ji near Kyoto, illustrated in Sherman E. Lee, A History of Far Eastern Art. New York: H.N. Abrams, 1964. p. 284, which is actually missing both its original forearms and hands -probably similar to the present piece- and is now set with modern replacements.