115
115
Vik Muniz (b. 1961)
LA BACCHANTE, AFTER GUSTAVE COURBET (PICTURES OF MAGAZINES 2), 2011
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115
Vik Muniz (b. 1961)
LA BACCHANTE, AFTER GUSTAVE COURBET (PICTURES OF MAGAZINES 2), 2011
前往

拍品詳情

Contemporary Art Online: NYC

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Vik Muniz (b. 1961)
LA BACCHANTE, AFTER GUSTAVE COURBET (PICTURES OF MAGAZINES 2), 2011
digital c-print, in artist's chosen frame; signed and dated '2011' on a label affixed to the reverse
Sheet: 40 by 48 7/8 in. (101.6 by 124.1 cm.); Framed: 42 1/2 by 53 3/8 in. (108 by 135.6 cm.)
Executed in 2011, this work is artist's proof 2 from an edition of 6, plus 4 artist's proofs.
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來源

Sikkema Jenkins & Co. New York, NY
Acquired from the above by the present owner

出版

Pedro Corrêa do Lago, et. al., 'Vik Muniz: Catálago Raisonné, 1987-2015, Tudo Até Agora,' Rio de Janeiro, 2016, p. 781, illustrated in color

相關資料

Brazilian photographer and multi-media artist Vik Muniz said in an interview with the New York Times that his goal was to “change the lives of people with the same materials they deal with every day,” (Vik Muniz in Carol Kino, ‘Where Art Meets Trash and Transforms Life,’ ‘The New York Times,’ 21 October 2010). In his Appropriation Art series, Muniz recreates well-known works of arts with common materials, such as chocolate, garbage, and caviar. He then photographs his collages before destroying them, saving once three-dimensional collages as a two-dimensional photograph. The repetition of highly established imagery using everyday materials tinkers with the illusion of grandeur and ultimately challenges how we see art.

Contemporary Art Online: NYC

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