53
53
魯道夫·斯丁格爾
《無題》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
1,200,0001,800,000
拍品已售 1,395,000 美元 成交價 (含買家佣金)
前往
53
魯道夫·斯丁格爾
《無題》
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
1,200,0001,800,000
拍品已售 1,395,000 美元 成交價 (含買家佣金)
前往

拍品詳情

當代藝術晚拍

|
紐約

魯道夫·斯丁格爾
生於1956年
《無題》
款識:藝術家簽名並紀年2012(背面)
油彩瓷漆畫布
95 1/4 x 76英寸;242 x 193公分
參閱狀況報告 參閱狀況報告

來源

高古軒畫廊,紐約

現藏家於2016年購自上述畫廊

展覽

紐約,高古軒畫廊,〈魯道夫·斯丁格爾:第二部分〉,2016年3月至4月

相關資料

「我想背棄某種特定的繪畫方式……我因此走向極端。」

魯道夫·斯丁格爾




魯道夫·斯丁格爾只創作過少量的「鐵絲網」畫,此作《無題》恢弘瑰麗,屬於其中一幅金色「鐵絲網」,殊為難得。作品優雅之中散發出奢華氣息。它曾在斯丁格爾二〇一六至一七年的系列展覽中展出,展品包括在曼哈頓上東區的高古軒畫廊Park & 75展出的八件藝術裝置。二〇一三至一四年,一幅類似的銀色「鐵絲網」在威尼斯格拉西宮展出,這位意大利藝術家在弗朗索瓦·皮諾(François Pinault)的親自邀請下,舉辦這場為特定地點策劃的大型個展,而他當時是第二位獲邀的在世藝術家。此作不吝展現金色的奢華富麗,這種金屬色澤常見於斯丁格爾的作品,他的作品著重創作過程,以及關於繪畫這種表達媒介的理性探討。《無題》是斯丁格爾第一幅亮相拍場的金色「鐵絲網」,堪稱體現其藝術理念的精緻珍品。

斯丁格爾一九五六年生於阿爾卑斯山區的小鎮美拉諾,在八〇年代末不斷探究繪畫中形式和概念二者的特質,備受世人矚目。他擅長創作實驗性質濃厚的沉浸式藝術裝置,並嘗試以特別物料突破媒材限制,例如破革使用帶有金屬銀色表層的防熱隔板,作品旨在質疑何人能夠參與藝術創作,並呈現時間的流逝;在二〇〇七年的回顧展裡,斯丁格爾在芝加哥當代藝術博物館和紐約惠特尼美國藝術博物館的展廳牆上鋪滿防熱隔板,邀請參觀者隨意在板上留言或畫畫。每次展覽完結後,滿是塗鴉的隔板被鑄成鍍金銅雕,將眾人之力納入創作當中,博物館參觀者的行為變成實質記錄,累積成作品的一部分,旨在探索關係美學中有關參與的本質。

觀眾參與、事物的短暫存在和記憶確是斯丁格爾反覆回溯的主題。《無題》博採其畫作眾長,不斷重複精心印模的圖案,即是他在二〇〇八年首次創作的藩籬鐵絲網,泛出金屬色澤的金色表面強調創作的過程,與先前的鍍金塗鴉系列有異曲同工之妙。一如塗鴉系列為觀眾提供在防熱隔板上留下痕跡的機會,《無題》讓我們思考其形式蘊含的指涉特質:例如半反射的畫作表面引起關於參與的反思,以及由引力造成的顏料流淌紋理帶出繪畫的暫時性和脆弱。羅伯塔·史密斯在《紐約時報》上精闢地指出:「簡樸抵銷了奢華,平凡沖淡了雍容」(羅伯塔·史密斯,〈DIY藝術:可踩踏,可塗抹,可觸摸〉,《紐約時報》,二〇〇七年六月二十九日)。璀璨奪目的金色背景反襯出不假修飾的鐵絲網圖案,點明畫作與裝飾品之間的模糊界線,鐵絲網原本只是純粹的工具,但是二者在畫布上的結合化身成一組動人的圖案,不斷重複的紋理甚至可以無限延伸至畫布以外。

《無題》為形式與功能之間的二元對立帶來更複雜的內涵。斯丁格爾如此解釋畫滿精緻錦緞紋飾的牆紙系列:「藝術家總是被人稱為裝飾匠,我因此走向極端,繪畫牆紙」(引述自琳達·雅布朗斯基,〈吃掉中央車站的地氈〉,《紐約時報》,二〇〇四年六月二十七日)。斯丁格爾在牆紙系列中繪畫錦緞紋飾,將它們從觀賞環境中抽離,顛覆我們對繪畫的既有期望;他把相同的概念運用在「鐵絲網」畫裡,鐵絲網本來簡樸實用,卻在挪用過程中喪失原有的功能,它們融入畫作,實際用途也因此消磨殆盡。《無題》一作引人入勝,發人深省,在媒材應用和美學探索之間取得極致平衡,將傳統的繪畫語彙再三昇華,彰顯大師功力。

當代藝術晚拍

|
紐約