1081
1081
田中敦子
三圓構造
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
4,000,0006,000,000
拍品已售 5,160,000 港幣 成交價 (含買家佣金)
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1081
田中敦子
三圓構造
估價
Irrevocable Bids
Lots with this symbol indicate that a party has provided Sotheby’s with an irrevocable bid on the lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder or may receive a fixed fee in the event he or she is the successful bidder. If the irrevocable bidder is the successful bidder, the fixed fee (if applicable) for providing the irrevocable bid may be netted against the irrevocable bidder’s obligation to pay the full purchase price for the lot and the purchase price reported for the lot shall be net of such fixed fee. If the irrevocable bid is not secured until after the printing of the auction catalogue, a pre-lot announcement will be made indicating that there is an irrevocable bid on the lot. If the irrevocable bidder is advising anyone with respect to the lot, Sotheby’s requires the irrevocable bidder to disclose his or her financial interest in the lot. If an agent is advising you or bidding on your behalf with respect to a lot identified as being subject to an irrevocable bid, you should request that the agent disclose whether or not he or she has a financial interest in the lot.
Guaranteed Property
Guaranteed Property. The seller of lots with this symbol has been guaranteed a minimum price from one auction or a series of auctions. If every lot in a catalogue is guaranteed, the Conditions of Sale will so state and this symbol will not be used for each lot.
4,000,0006,000,000
拍品已售 5,160,000 港幣 成交價 (含買家佣金)
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拍品詳情

當代藝術晚間拍賣

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香港

田中敦子
三圓構造
一九六四年作
款識
Atsuko Tanaka,1964年(作品背面)
合成樹脂漆畫布
130 x 97 公分 ,51⅛ x 38⅛ 英寸
參閱狀況報告 參閱狀況報告

來源

日本,喜多美術館
私人收藏
Hauser & Wirth畫廊
現藏者購自上述來源

展覽

日本,蘆屋,蘆屋市民會館〈第18回蘆屋市展〉一九六五年
日本,大阪,具體美術協會〈第15回具體美術展〉一九六五年七月一日至二十日
日本,東京,西武百貨店,現代美術畫廊〈渦卷之點與線,田中敦子1960〉一九八五年四月十九日至五月十五日
日本,奈良,喜多美術館〈田中敦子展〉一九九〇年二月二十七日至四月十五日

出版

〈田中敦子:未知的美的探求1954-2000〉(日本蘆屋市,蘆屋市立美術館,二〇〇一年),119頁,圖版編號46,彩色圖版
〈田中敦子全集2015〉(日本大阪,Galleria Col,二〇一五年),105頁

相關資料

「(田中敦子的作品)暗示,我們所認為固定的『自我』邊界,其實是可以改變的,也可能與世界形成全新的關係,觀者的精神世界因而深受影響。」

加藤瑞穂




第二屆具體派藝術展於一九五六年在東京舉辦,正是美國極簡主義藝術家丹·弗拉文創作首件螢光雕塑的五年前,前衛裁縫師田中敦子晉身藝術家,以一襲電力強勁、晶光閃耀的「電氣服」震懾全場,以大把電線連接超過二百顆燈泡和燈管,在霓虹光的明滅中,這件製作精密的《電氣服裝》所散發的高熱能量,令人眼花撩亂的光圈,深深映在觀眾眼底。這次表演使田中在藝術史留下不朽印記,奠定其傑出藝術家的地位,她更獲知名法國藝評家米榭·塔皮耶的稱譽,在他於一九五七年的代表作《首次日本旅程的心理預備》中提及:「我對具體派藝術群體深表敬意,我更認為當中四位藝術家應與其他享譽國際的人物齊名,包括白髮一雄、嶋本昭三、吉原治良及田中敦子。」( 米榭·塔皮耶,< 首次日本旅程的心理預備>,一九五七年)

此次別開生面的表演促使田中在一九五七年後的創作語彙,在畫布各處描繪圓圈與線條,從本作《三圓構造》中便可見如此動人美學。田中於六十年代享譽國際,當時安東尼·丹尼及羅蘭德·A·吉布森等知名西方收藏家以及美國畫家山姆·弗朗西斯更將其作收入囊中。本作正在此黃金時期創作,以亮麗色彩、立體層次與直接質感尤見超卓,足見藝術家運用快乾合成瓷漆的精湛技法。在田中六十年初創作的圓圈畫作之中,如此傑出之作在市場上更是極為罕見,相類的早期作品現由紐約現代藝術博物館等著名博物館收藏。

此作完成後數年的一九六八年,田中所作的另一經典表演更由福澤博(Fukuzawa Hiroshi)執導的錄像作品《沙上圓圈》完整記錄。她沿沙灘跳著精心設計的即興舞蹈,在沙上勾勒交錯的大型圓圈和線條。俯瞰其中,大自然中的巨畫展現壯麗的動勢痕跡,向無窮之境不斷迴旋,令人聯想到古秘魯納斯卡線的宇宙之謎。而一九五六年的早期具體派表演作品《戲服登場》,同樣展示藝術家她則是在圓轉的身體動作,在不停旋轉間層層鬆開解開纏繞身體的布料。以上兩件作品以及《電器服裝》,田中皆以自己作為形狀、線條及色彩的軸心,「繪」、「畫」她的身體。

田中破革創新的創作方式證明了抽象畫與具象結合的可能( Vivian Ziherl,「田中敦子:聯結的藝術」,《藝術界15》,二〇一二年6月),挑戰當時東西方不定形藝術及抽象表現派盛行的姿態自動主義(蔡宇鳴,<激動人心的繪畫>,《激動人心的藝術:田中敦子,1954-1968年》,Hemlock Printers, 溫哥華,二〇〇四年,64頁)。4 與此同時,她透過結合藝術與科技,以理論及美學角度,回應日本在廣島核災後經濟迅速擴張與科技發展的情況。本作以花團錦簇、動感的圈線,喚起日本戰後霓虹閃爍的城市脈動,交織著包羅萬象、錯綜複雜的生命樣態,不但靈活多變,更別具時代意義。

當代藝術晚間拍賣

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香港