拍品 129
  • 129

FRANK STELLA | Untitled

估價
100,000 - 150,000 USD
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描述

  • Frank Stella
  • Untitled
  • signed 
  • marker and graphite on paper
  • 17 1/8 by 22 in. 43.5 by 55.9 cm.
  • Executed in 1966.

來源

Kasmin Ltd., London
Robert A. Rowan, Pasadena (acquired from the above circa 1966)
Acquired from the above by the present owner

展覽

Irvine, University of California; San Francisco Museum of Modern Art, American Art of the Sixties: A Selection of Paintings and Sculptures from the Collections of Mr. and Mrs. Robert Rowan, May - July 1967

Condition

This work is in very good condition overall. There is a slight undulation to the sheet inherent to the artist’s working method. There is evidence of light handling along the edges, which have yellowed slightly with age, including minor diagonal creases in the lower right corner, faint spots of discoloration along the top edge towards the right. The sheet is hinged verso to the mat in each corner. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

拍品資料及來源

"The color optics of the Concentric Squares and Mitered Maze Paintings is dizzyingly kaleidoscopic. Continuing the use of Benjamin Moore paint, and continuing to paint tightly masked stripes in a concentric manner, Albers' color interactions are amplified into high-intensity friction. Just as Stella had previously asked himself how much of a painting could be taken away and still have it be read as a painting, he now seemed to be asking how much color could be fitted into a pictorial structure." Michael Auping, "The Phenomenology of Frank: Materiality and Gesture Make Space," in Exh. Cat., New York, The Whitney Museum of American Art (and traveling), Frank Stella: A Retrospective, 2015, pp. 24-25