拍品 233
  • 233

ALEX ISRAEL | Untitled (Flats)

估價
120,000 - 180,000 GBP
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招標截止

描述

  • Alex Israel
  • Untitled (Flats)
  • signed with the artist's initials and dated 2012 on the reverse of the left panel; signed and dated 2012 on the reverse of the centre panel; signed and dated '12 on the reverse of the right panel
  • acrylic on stucco, wood and aluminium frame, in 3 parts
  • i. and iii. 121.6 by 76 cm. 48 by 30 in.
  • ii. 213.4 by 137.2 cm. 84 by 54 in.

來源

Peres Projects, Berlin
Irving Blum, United States
Private Collection, Unites States
Acquired from the above by the present owner

Condition

Colour: The colour in the catalogue illustration is fairly accurate, although the overall tonality is slightly lighter and brighter and it fails to fully convey the textured surface and neon qualities of the original. Condition: This work is in very good condition. Extremely close inspection reveals two pinprick sized specks of loss to the centre of the lower extreme edge of the right hand side panel; and a further pinprick sized speck of loss to the lower edge of the central panel, approximately 30 cm from the lower right corner. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

“Right after I finished graduate school, I had this idea about making portraits of people in Los Angeles and using the talk show as a format to do that. I started designing the talk show set, and as the background of the set, I wanted a giant L.A. twilight sky. I did some research and found out that there were just a few places in L.A. that painted backdrops, so I met with the scenic-art department here at Warner Bros. The painter I met was Andrew Pike, who had just painted the backdrop for Conan O’Brien. I thought, ‘Oh, wow, this is perfect! This is someone who actually paints backdrops for talk shows.’” Alex Israel: in conversation with Aram Moshayedi, in: 'Alex Israel', Interview Magazine, 30 December 2014, online.