- 225
ANDREAS GURSKY | Brasilia, Plenarsaal I
估價
30,000 - 40,000 GBP
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招標截止
描述
- Andreas Gursky
- Brasilia, Plenarsaal I
- signed, titled, numbered 3/5 and dated 1994 on the reverse
- c-print flush-mounted on acrylic, in artist's frame
- image: 82.5 by 128 cm. 32 1/2 by 50 3/8 in.
- sheet: 113.7 by 168.5 cm. 44 3/4 by 62 1/2 in.
- Executed in 1994, this work is number 3 from an edition of 5.
來源
Monika Sprüth Galerie, Cologne
Private Collection (acquired from the above in 1995)
Christie's, London, 7 October 2016, Lot 317
Acquired from the above by the present owner
Private Collection (acquired from the above in 1995)
Christie's, London, 7 October 2016, Lot 317
Acquired from the above by the present owner
展覽
Düsseldorf, Kunsthalle Düsseldorf, Andreas Gursky - Photographs from 1984 to the Present, August - October 1998, p. 49, illustrated (ed. no. unknown)
Wolfsburg, Kunstmuseum; Winterthur, Fotomuseum; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Turin, Castello di Rivoli Museo d'Arte Contemporanea; and Lisbon, Centro Cultural de Belém, Andreas Gursky. Fotografien 1994-1998, May 1998 - September 1999, pp. 20-21, illustrated (ed. no. unknown)
Cambridge, Massachusetts, Harvard University, Busch-Reisinger Museum, Landmark Pictures: Ed Ruscha/Andreas Gursky Part I, January - March 2000 (ed. no. unknown)
New York, Museum of Modern Art, Andreas Gursky, March - May 2001, pp. 118-19, illustrated in colour (ed. no. unknown)
Munich, Haus der Kunst, Andreas Gursky, February - May 2007, pp. 128 -29, illustrated in colour (ed. no. unknown)
Wolfsburg, Kunstmuseum; Winterthur, Fotomuseum; London, Serpentine Gallery; Edinburgh, Scottish National Gallery of Modern Art; Turin, Castello di Rivoli Museo d'Arte Contemporanea; and Lisbon, Centro Cultural de Belém, Andreas Gursky. Fotografien 1994-1998, May 1998 - September 1999, pp. 20-21, illustrated (ed. no. unknown)
Cambridge, Massachusetts, Harvard University, Busch-Reisinger Museum, Landmark Pictures: Ed Ruscha/Andreas Gursky Part I, January - March 2000 (ed. no. unknown)
New York, Museum of Modern Art, Andreas Gursky, March - May 2001, pp. 118-19, illustrated in colour (ed. no. unknown)
Munich, Haus der Kunst, Andreas Gursky, February - May 2007, pp. 128 -29, illustrated in colour (ed. no. unknown)
出版
Neville Wakefield, 'Brasilia Vanishing Points', Parkett No. 44, Zurich 1995, p. 79 and cover, illustrated in colour
David Rimanelli, 'Andreas Gursky', Artforum, May 1995, p. 96, illustrated (ed. no. unknown)
Elizabeth Janus, Veronica's Revenge - Contemporary Perspectives on Photography, Zurich 1998, p. 124 (text) (ed. no. unknown)
Katy Siegel, 'Consuming Vision', Artforum, January 2001, p. 112, illustrated in colour (ed. no. unknown)
Jeff Rian, 'Andreas Gurksy's Orientations: Toward a Spiritual Energy Center', Flash Art, No. 187 2006, p. 92, illustrated (ed. no. unknown)
David Rimanelli, 'Andreas Gursky', Artforum, May 1995, p. 96, illustrated (ed. no. unknown)
Elizabeth Janus, Veronica's Revenge - Contemporary Perspectives on Photography, Zurich 1998, p. 124 (text) (ed. no. unknown)
Katy Siegel, 'Consuming Vision', Artforum, January 2001, p. 112, illustrated in colour (ed. no. unknown)
Jeff Rian, 'Andreas Gurksy's Orientations: Toward a Spiritual Energy Center', Flash Art, No. 187 2006, p. 92, illustrated (ed. no. unknown)
Condition
Colour: The colour in the catalogue illustration is fairly accurate although the paper tone is cooler in the original. Condition: This work is in very good condition. Extremely close inspection reveals a few minute scratches to the extreme edges of the artist's frame and some superficial scuffs and some media accretions to the artist's Plexiglas. Further close inspection reveals a minute scratch and a few tiny abrasions to the white edge of the print towards the center of the right hand edge and one towards the top right hand corner, not affecting the main image.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."