- 335
KURT SCHWITTERS | Ohne Titel (NORGE) (Untitled (NORWAY))
估價
20,000 - 30,000 EUR
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招標截止
描述
- Kurt Schwitters
- Ohne Titel (NORGE) (Untitled (NORWAY))
- signed von Kurt Schwitters and dated 1937 (towards lower right)
- collage on paper
- 13,8 x 19,5 cm; 5 3/8 x 7 5/8 in.
- Executed in 1937.
來源
Ingeborg Baekkelund, Molde (purchase or gift from the artist)
Siri Susanna Harlan Taylor, Wirral (by descent from the above)
Timothy Baum, New York
Acquired from the above by Dr. Arthur Brandt in 1987
Siri Susanna Harlan Taylor, Wirral (by descent from the above)
Timothy Baum, New York
Acquired from the above by Dr. Arthur Brandt in 1987
展覽
New York, Ubu Gallery, Kurt Schwitters 1887-1948, Collages, Paintings, Drawings, Objects, Ephemera, 2003, illustrated in the catalogue no. 34
Basel, Museum Tinguely, Kurt Schwitters, Merz - ein Gesamtweltbild, 2004, no. 130, illustrated in the catalogue p. 139
Ithaca, Herbert F. Johnson Museum of Art, A Private Eye: Dada, Surrealism and More from the Brandt Collection, 2006, illustrated in the catalogue p. 133
London, The New Art Centre (probably)
Basel, Museum Tinguely, Kurt Schwitters, Merz - ein Gesamtweltbild, 2004, no. 130, illustrated in the catalogue p. 139
Ithaca, Herbert F. Johnson Museum of Art, A Private Eye: Dada, Surrealism and More from the Brandt Collection, 2006, illustrated in the catalogue p. 133
London, The New Art Centre (probably)
出版
Jutta Nestegard, Kurt Schwitters i Norge, unpublished, Master thesis, Varen, 1993, illustrated fig. 131
Klaus Stadtmüller (ed.), Schwitters in Norwegen, Arbeiten, Dokumente, Ansichten, Hanover, 1997, illustrated p. 47
Karin Orchard & Isabel Schulz (ed.), Kurt Schwitters, Catalogue raisonné, Band 3 1937-1948, Hanover, 2006, no. 2231, illustrated p. 81
Klaus Stadtmüller (ed.), Schwitters in Norwegen, Arbeiten, Dokumente, Ansichten, Hanover, 1997, illustrated p. 47
Karin Orchard & Isabel Schulz (ed.), Kurt Schwitters, Catalogue raisonné, Band 3 1937-1948, Hanover, 2006, no. 2231, illustrated p. 81
Condition
Collage elements are stable. Affixed to the mount in two points along the upper edge, floating in its mount. There are holes, skinning, evidence of burn and tears, all of these are consistent with the medium employed and inherent with the artist process (all visible in the catalogue illustration). This work is in overall very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."