- 34
HANS HARTUNG | T1979-E21
估價
80,000 - 120,000 EUR
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招標截止
描述
- 漢斯·哈同
- T1979-E21
- intitolato sul retro
- acrilico su tavola
- cm 114x146x2,5
- Eseguito nel 1979
來源
Collezione Tonelli, Terni
Ivi acquistato dall’attuale proprietario
Ivi acquistato dall’attuale proprietario
Condition
This work is in very good overall condition. There is a tiny loss upper right. No traces of retouching appear to be visible under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Nella pittura di Hartung ritroviamo “emozione e pensiero, istinto e riflessione, oggettività e impennate di soggettivazione, logicità di costruzione o alogicità d’una primordiale condizione di natura, tutto è riassunto nella continua spinta a creare con mente e occhio attenti alle risonanze d’un respiro cosmico così come ai trasalimenti interni, per farne una pittura che è summa delibata di emotività” (Mallé).
In quest’opera Hartung riesce a catturare qualcosa della sua “magia primitiva”che si muove al di là della forma tangibile e giunge in una dimensione puramente emotiva: il nero, l’intenso nero, rende la superficie misteriosa, marcandola con dei graffi oscuri. In Hartung's painting we find "emotion and thought, instinct and reflection, objectivity and upsurge of subjectivity, logic of construction or alogicity of a primordial condition of nature, everything is summarized in the continuous drive to create with a mind and eye attentive to the resonances of a cosmic breath as well as internal woes, to make it a painting that is charged with emotionality "(Mallé).
In this work Hartung manages to capture something of his "primitive magic" that moves beyond the tangible form and reaches a purely emotional dimension: an intense black, renders the surface mysterious, marking it with dark scratches.
Opera registrata presso l'Archivio della Fondazione Hans Hartung e Anna-Eva Bergman, Antibes, con il n. 956
In quest’opera Hartung riesce a catturare qualcosa della sua “magia primitiva”che si muove al di là della forma tangibile e giunge in una dimensione puramente emotiva: il nero, l’intenso nero, rende la superficie misteriosa, marcandola con dei graffi oscuri. In Hartung's painting we find "emotion and thought, instinct and reflection, objectivity and upsurge of subjectivity, logic of construction or alogicity of a primordial condition of nature, everything is summarized in the continuous drive to create with a mind and eye attentive to the resonances of a cosmic breath as well as internal woes, to make it a painting that is charged with emotionality "(Mallé).
In this work Hartung manages to capture something of his "primitive magic" that moves beyond the tangible form and reaches a purely emotional dimension: an intense black, renders the surface mysterious, marking it with dark scratches.
Opera registrata presso l'Archivio della Fondazione Hans Hartung e Anna-Eva Bergman, Antibes, con il n. 956