拍品 27
  • 27

FRANCO ANGELI | La stanza delle ideologie

估價
50,000 - 70,000 EUR
Log in to view results
招標截止

描述

  • Franco Angeli
  • La stanza delle ideologie
  • firmato e datato 1969; firmato, intitolato e datato 1969 sul retro
  • olio, vernice argento e oro e tempera su tela
  • cm 154,5x200,5

來源

Galleria Mazzoli, Modena
Collezione privata, Bologna
Ivi acquisito dall'attuale proprietario

Condition

A professional condition report is available upon request at the department.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

Lui era veramente di origine popolare, molto più che Mario e Tano, con un'infanzia difficile passata a San Lorenzo, un quartiere povero di Roma. (...)
I suoi primi quadri sono la testimonianza del contatto quotidiano che aveva con la strada, con i ruderi, le lapidi, i simboli antichi e moderni, le lupe, le aquile, le falci e martello, le svastiche: diceva che erano stati questi segni a sprigionare in lui un'energia talmente forte da dargli il coraggio di affrontare la sua avventura pittorica.
Roberto Ortensi, in Luca Ronchi, Mario Schifano Una biografia, 2012, p. 285 He was truly a man of the people, much more so than Mario and Tano, having had a difficult childhood growing up in San Lorenzo, a poor neighborhood in Rome. (...)
His first paintings are testimony to the daily contact he had with the road, the ruins, the headstones, the ancient and modern symbols, the wolves, the eagles, the hammers and the sickles, the swastikas: he said that these signs had trapped an energy within him that was so strong as to give him the courage to face this pictorial adventure.



Opera registrata presso l'Archivio Franco Angeli, Roma