- 121
RENATO GUTTUSO | Natura morta col basco
估價
18,000 - 25,000 EUR
招標截止
描述
- Renato Guttuso
- Natura morta col basco
- firmato; firmato e datato 1934 sul cartiglio a retro
- olio su tela applicato su tela
- cm 44,5x55
來源
Galleria Annunciata, Milano
Asta Christie's Milano, 14 maggio 1987, lotto n. 57
Asta Farsettiarte Prato, 28 novembre 1987, lotto n. 132
Asta Farsettiarte Prato, Collezione Laura Tansini, 29 novembre 2014, lotto n. 525
Asta Christie's Milano, 14 maggio 1987, lotto n. 57
Asta Farsettiarte Prato, 28 novembre 1987, lotto n. 132
Asta Farsettiarte Prato, Collezione Laura Tansini, 29 novembre 2014, lotto n. 525
展覽
Verona, Galleria d'Arte Moderna e Contemporanea - Palazzo Forti, 1988, Le scuole romane, sviluppi e continuiità, 1927-1988, p. 65, illustrato
出版
Enrico Crispolti, Catalogo ragionato generale dei dipinti di Renato Guttuso, Milano 1989, vol. 4, p. 79, n. 35/27, illustrato
Condition
This work appears to be in generally good overall condition. There are minor traces of craquelures visible under close inspection. There is a shallow scratch by the berret. under UV light are visible tiny retouching along upper right margin, lower margin, by the top and the bottom of the bottle and over the grey drape.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Il ricavo della vendita di questo lotto sarà destinato ad attività filantropiche
The sale proceeds for this lot will benefit philanthropic activities Nel 1933 Guttuso, riferendosi alla pittura di Picasso, scriveva: ”Se la pittura non penetra l’oggetto e non ne svela le vibrazioni, se non arriva partendo dall’oggetto e dall’osservazione sentimentale di esso alla creazione di un equivalente plastico non si perviene alla poesia, ma si precipita nella fotografia”. Le parole dell’artista sembrano volerci aiutare a comprendere come Natura morta col basco non rappresenti un fermo immagine, una fotografia, di uno spazio che si colloca nel tempo, ma il processo poetico di rappresentazione filtrata dell’autore.
In 1933, Guttuso wrote in reference to Picasso's painting: "If a painting does not penetrate the object and does not divulge its vibrations, if it does not come from the object and from the sentimental observation of it. The creation of a plastic equivalent does not arrive at poetry, but rushes into photography". The artist's words seem to want to help us to understand how Natura morta con basco does not represent a still image, a photograph, a space that is placed in time, but rather the poetic process of filtered representation of the author.
The sale proceeds for this lot will benefit philanthropic activities Nel 1933 Guttuso, riferendosi alla pittura di Picasso, scriveva: ”Se la pittura non penetra l’oggetto e non ne svela le vibrazioni, se non arriva partendo dall’oggetto e dall’osservazione sentimentale di esso alla creazione di un equivalente plastico non si perviene alla poesia, ma si precipita nella fotografia”. Le parole dell’artista sembrano volerci aiutare a comprendere come Natura morta col basco non rappresenti un fermo immagine, una fotografia, di uno spazio che si colloca nel tempo, ma il processo poetico di rappresentazione filtrata dell’autore.
In 1933, Guttuso wrote in reference to Picasso's painting: "If a painting does not penetrate the object and does not divulge its vibrations, if it does not come from the object and from the sentimental observation of it. The creation of a plastic equivalent does not arrive at poetry, but rushes into photography". The artist's words seem to want to help us to understand how Natura morta con basco does not represent a still image, a photograph, a space that is placed in time, but rather the poetic process of filtered representation of the author.