拍品 330
  • 330

JOAN MIRÓ | Sans Titre

估價
45,000 - 65,000 EUR
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招標截止

描述

  • 胡安·米羅
  • Sans Titre
  • signed Miró (lower right)
  • watercolour and woodcut on paper
  • 56,7 x 45,1 cm; 22 3/8 x 17 3/4 in.
  • Executed circa 1953.

來源

Galerie Maeght, Paris (acquired directly from the artist)
Mira Godard Gallery, Canada
Acquired from the above in 1980 and thence by descent to the present owner

Condition

Executed on cream wove paper, not laid down, affixed to the mount in three points at the upper right and left corners and to the centre of the lower edge, and floating in its mount. Extreme edges are slightly deckled with a few minor associated nicks and some minor handling marks. The sheet is slightly undulating. There are repaired tears (the longest of which is approx. 2 cm long) to the upper right and left corners and to the lower left corner. There are some faint humidity stains towards the upper edge and to the centre of the lower left corner. There is some minor paint shrinkage in the blue pigment. Ink appears to have slighltly faded. The sheet is a bit light-stained. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

This work was executed to illustrate Femmes by Claude Simon, published by Maeght Editeur, Paris, 1965.

ADOM has confirmed the authenticity of this work.