The canvas has not been lined and is securely attached to a keyed wooden stretcher which appears to be of the period. There is a fine pattern of hairline craquelure throughout, however not too distracting to the naked eye, including some stretcher marks corresponding to the four lateral and central stretcher members. A small accretion is also visible in the far lower right corner. Inspection under ultra-violet light reveals an even layer of residual varnish and some isolated spots of retouching, including: - a 5 by 3cm area in the background in the upper right quadrant, also visible to the naked eye, addressing an old repair, as visible on the reverse; - one small spot in the background in the upper left quadrant; - pin-head sized spots in the left leg of the chair; and - some small spots of cosmetic retouching along the lower framing edge addressing paint flaking. Overall, this work is in good condition and is ready to hang. Presented in a decorative gilt frame. Colours are less yellow in reality than in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."