拍品 48
  • 48

RAFFAELLO ROMANELLI | Cleopatra

估價
30,000 - 40,000 GBP
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招標截止

描述

  • Raffaello Romanelli after Gian Lorenzo Bernini
  • Cleopatra
  • signed: Prof R Romanelli / Firenze
  • white marble, on a white marble revolving column
  • figure: 113.5cm., 44 5/8 in.column: 73cm., 28 3/4 in.

Condition

Overall the condition of the marble is very good with minor dirt and wear to the surface consistent with age. There are visible joints at the proper left arm (upper arm, forearm and wrist), due to a reattachment in the studio or a later fracture. There are minor naturally occurring inclusions to the marble. There are some dirt residues, including behind the steps on which the signature is carved. The steps have been left intentionally roughly hewn at the sides. There are one or two small chips around the base and in the basket of flowers and fruit. The column revolves and is in good condition with minor dirt and wear, including small chips and abrasions.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

拍品資料及來源

The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggared all description; she did lie
In her pavilion, cloth-of-gold of tissue,
O'er picturing that Venus where we see
The fancy outwork nature; on each side her
Stood pretty-dimpled boys, like smiling Cupids,
With divers coloured fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

William Shakespeare (1564-1616), Antony and Cleopatra, Act II, Scene II