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MARINA AND ULAY ABRAMOVIC | From Source to Use: Contemporary Archeology
估價
1,000 - 1,500 GBP
招標截止
描述
- Marina and Ulay Abramovic
- From Source to Use: Contemporary Archeology
- 25.5 by 32.5 cm.; 10 by 12 3/4 in.
signed and numbered '118/200'audio cassette in cardboard boxExecuted in 1985, this work is number 118 from an edition of 200.
來源
Galerie Bébert, Rotterdam
Acquired from the above by the present owner
Acquired from the above by the present owner
Condition
This work is in very good condition. Close inspection in raking light reveals some light handling marks and rub marks in places to the cardboard and the cassette box.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
拍品資料及來源
Other works from the edition are held in the collections of the Rijksmuseum Twenthe, Enschede and the Harvard Art Museums, Cambridge.
This work is part of part of the portfolio, 'Pandora's Box: Contemporary Archaeology', published in three parts by Bébert in Rotterdam, which contains multiples of eleven artists, including Joseph Beuys, Hugo Duchateau, Maria van Elk, Arie van Geest, Richard Hamilton, Gerald van der Kaap, John van 't Slot, Piet Stockmans and Lawrence Weiner.
This work is part of part of the portfolio, 'Pandora's Box: Contemporary Archaeology', published in three parts by Bébert in Rotterdam, which contains multiples of eleven artists, including Joseph Beuys, Hugo Duchateau, Maria van Elk, Arie van Geest, Richard Hamilton, Gerald van der Kaap, John van 't Slot, Piet Stockmans and Lawrence Weiner.